Daffy Duck takes his girl to a beach, where a muscle-bound duck attracts the attentions of Daffy's fickle chick. She leaves Daffy and walks off with the hunky duck. A salesman sells Daffy a bogus strength-building tonic, and Daffy takes some, thinking it has made him into a virile power-house! He challenges the muscular duck to a series of contests involving bar-bending, chain-chewing, and weight-lifting.
Porky Pig and his friends Beans, Little Kitty and Ham and Ex, travel as pioneers toward the western frontier. As their wagon travels across the prairie, Ham and Ex cause trouble by pretending to be Indians. Then the real Indians show up!
A Black man sneaks out of church and tries to steal a chicken, but gets a taste of Hell when he's accidentally knocked unconscious. One of the "Censored 11" banned from TV syndication by United Artists in 1968 for racist stereotyping.
Porky's father is going to lose his farm. Porky goes to town with his horse and works a milk route, with a warning that if he breaks a bottle he's fired. As he's delivering, cats follow along behind draining the bottles. Meanwhile, Hank Horsefly follows them into town. He stings Dobbin, who crashes and breaks many bottles. They happen upon a horse race and accidentally enter; the horse is merely plodding along until it gets stung again.
A scientist has acquired a microscope and is showing it off to his friend. He takes various body samples - hair, phlegm, etc. - and puts them under the microscope. The "microbes" coalesce and form different shapes, creating caricatures of various people, such as mothers-in-law and drunks. These animated characters goof around in traditional cartoon fashion.
California Institute of the Arts student Madeline Sharafian created 'Omelette', an animated short film that centers on making food for someone you love. The short features a little dog and an overworked owner who can barely cook himself an omelette.
One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.
A live action piano player tells the story of a clothes-devouring moth who is on his way to marry a honey bee but gets caught by a black widow spider looking for a man of her own.
The young Zuzanka, Honzik and Goat look for the children's parents, whom the devil has apparently kidnapped to punish them for producing devilishly good goat cheese. However, the children find their parents not in hell, but in the castle, where they must make cheese for Kobyl, the king's advisor. Kobyl gained the king's good graces thanks to the cheese. After a dangerous and corny adventure, Kobyl ends up in hell and the family members are reunited.
Black and white drawings blended with photographic images depict an old man, with various tiny gadgets, trying to find the anatomy of the wings of an angel.
Tommy Tucker's Tooth is a live-action short film by Walt Disney at his short-lived Laugh-O-Grams studio in Kansas City from 1922. The film was one of two commissioned by Kansas City Dentist Thomas B. McCrum. It earned the Laugh-O-Gram studio $500.
After eating a cheesecake given to him by a kind-hearted lady, a hobo goes to sleep and has a bizarre dream in which insects are putting on a vaudeville show for him, with a grasshopper juggling an ant, a dancing daddy long-legs, etc.