In the cheap glitter and glow of a fading Coney Island a group of characters live out their sordid, strange lives trying to get somewhere fast - any way they can. Desperately trying to love and be loved. These cops, call girls, mafia hoods, transvestites, fortune-tellers, clowns, and freaks are all intertwined, heading on a crazy roller coaster ride into a black hole they think is life. All of these characters are totally removed from the 60s America that, at the same time, is violently changing its values, fast. It is how hard they try, with the deck stacked against them, that we root for them in amazement. The film is done in funny hand drawn animation which makes their story even more amazing to watch. We invite you to enjoy the show.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
The date: 2015 AD. The Angels’ assaults on Tokyo-3 have increased in its ferocity. In this city, three young girls upload their latest song onto Nico Nico Douga.
The world is a desolate, unforgiving place in this action sci-fi with a surprising amount of heart. We follow NO-A (Noah), as he attempts to rescue Aixa, the young woman that created him. In his attempt to save her, he must face an unknown enemy and fight to keep them both alive.
Mister Cok is the owner of a large bomb factory. Looking for efficiency and profit, he decides to replace his workers by sophisticated robots. The formers stare helplessly at the toil of the robotic labourers. But one of the workers does not accept being discarded so easily...
An experimental short film based on repetitive movement. The main intention was to create a film much in the same way as you would create a piece of music; themes that build and develop rather than a traditional narrative.
Embarking on an exciting journey, the Monica group encounters a series of eight enchanting stories, each unfolding within a short span of 2-8 minutes. These tales, united by the charismatic presence of Jotalhão the elephant, offer a delightful mix of adventure and camaraderie.
Lonely, old parents living on a small farm look forward to their son's visit. The man finally shows up one day, but he separates himself from his parents with a newspaper. Inadvertently, he drops a slice of bread. His father picks it up respectfully.
A psychedelic animated short celebrating America's bicentennial. The film " provides a short, impressionistic history of the U.S. through famous American symbols, including the Statue of Liberty; the Woodstock logo; the Liberty Bell; and Mt. Rushmore. The symbols are layered on top of each other, as can be seen from a bald eagle hatching from a red, white, and blue egg and flying past the American Gothic farmers, the U.S. Capitol building, the Golden Gate Bridge, Abraham Lincoln’s cabin, and an American bison. The film was directed by Vince Collins" (US National Archives).
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
The plucky hero joins a fire company to save the world and gain the affection he so richly deserves. However, the results never turn out the way he plans.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
Vida is a young Iranian lifeguard swimmer. Popular in her team, she is determined to fight in order to be the one to participate in an international competition in Australia. However, when Sareh, as fast and talented as her joins the team, she will have to face an unexpected situation.
Based on a hit song by child star Hideko Hirai from 1929, this gem -- a real historical curiosity -- provides glimpses of 1930s popular culture through introducing the typical life of a bright, energetic young girl. It contains an early product placement (for Lion Toothpaste), educational content and newsreel footage of Japan’s first woman Olympic medalist, Kinue Hitomi.