It's four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore 'undercrust,' crashes the party to avenge her sister's death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It's not long before a naïve pussycat lover, gay drug dealer, smokin' hot preacher's daughter, squeaky-clean senator's son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each 'bad kid' pits one against the other, and one by one each falls victim to absurdly gruesome 'accidents' while trying to escape.
To stop the Third Reich and the Nazi war machine from winning World War II and affecting the outcome of the free world, Toulon's indestructible puppets join forces with the masters of psychic powers.
Housewife Dilek suddenly starts to feel the presence of something abnormal in her house. Her husband Omer refuses to agree, and the situation worsens. The couple discover that an ancient paranormal creature called Jinn has cursed on Dilek. They seek a cure but instead they learn of Dilek's demons.
A frustrated teen's careless wish sends his little brother into a world of forgotten dreams. Now, he must navigate whimsical challenges and learn the true value of family before time runs out to bring him back!
In a world inhabited by anthropomorphic produce, "Cipollino, the Onion Boy" fights the unjust treatment of his fellow vegetable townsfolk by the fruit royalty (Prince Lemon and the overly proud Lord Tomato) in the garden kingdom.
Fear runs rampant throughout Tokyo with the revelation that demons in fact exist amongst us. Paranoia and the darker side of humanity boils onto the streets as people turn on one another, suspecting that anyone could in fact be a demon hiding in human clothing. Amidst the growing tensions, tragedy strikes Akira causing his mind to snap, retreating into his subconscious, allowing his Devilish alter-ego Amon to break free from Akira's cage of flesh and wreak havoc on both human and demons alike.
Two millennia ago, a Lybian king has a basilisk (snake-shaped dragon), which petrifies people, subjected to the same fate with a golden scepter during a solar eclipse. Both these and several victims are dug up by modern archaeologist Harrison 'Harry' McColl's expedition. Despite a cryptic warning from tribal locals, everything goes to his Colorado university's museum. It's all exhibited during another eclipse, which leads to the monster reviving. Harry and some of his friends must try to petrify the monster again.
When Merlin cast a positive spell to protect the knights of the Round Table, he used ancient magic drawing on the power of Stonehenge, and the knights were put into a sort of suspended animation. The evil Morgana and her son Mordred were banished into another world for 1500 years, but a 20th-century scientist finds a gateway, and the dark lord has a vicious scheme to enslave King Arthur's world.
Vampire fledgling Michelle Morgan has escaped the grasp of her master Radu Vladislas. Found by a woman named Ana, she is taken to a hospital where a doctor claims to be able to cure her vampirism. Radu, recovering from the near-death delivered by Michelle and her friends, travels to Bucharest to follow his fledgling. He visits the vampire Ash's stronghold. Ash and his protege Serena plot to destroy Radu and employ the help of the humans, Ana and the Doctor.
Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself.
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.
In a small Russian town, there is a Research Institute for magic. One of the witches, Alyona Sanina, is going to marry a guy named Ivan Puhov (not a magician). A jealous Apollon Sataneev tells her boss Kira Shemahandskaya that Sanina is going to marry not Ivan Puhov, but Ivan Kivrin, whom Shemahandskaya is going to marry herself. Enraged, Shemahandskaya, who is a powerful witch, orders Sanina to forget about her Ivan and marry Sataneev instead. And this will be final unless Alyona kisses Puhov before midnight on New Year. Alyona's friends call Puhov to the rescue.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Gawain was a squire in King Arthur's court when the Green Knight burst in and offered to play a game with a brave knight. Gawain journeys across the land, learning about life, saving damsels, and solving the Green Knight's riddle.