This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.
Nightclub singer La Paloma succumbs to the persistent courting of a chubby, rich admirer and marries him. Before the marriage, she was thought to be dying, but soon she is well. She believes her husband's love has cured her, but her efforts to love him begin to fade as she discovers true love with her husband's old school friend.
Rena Riffel (Showgirls/Mulholland Drive) stars in her directorial debut, the B Movie Musical Retro Satire, Trasharella. Transforming into a recycling trashy super hero, it is up to Trasharella to kill the Hollywood Vampire.
A father and son travel deep into the woods to make an offering to a mysterious force. When they realize a key element is missing, they must improvise before time runs out.
Milk's husband dies on their wedding night while having sex. He returns as a ghost as she attempts to get her life back on track whilst choosing between two new men in her life.
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
Macha, Nathan and Walter are awaited by a young man outside the high-school. He's here to lead them. Away from the city. To the sea. Into a night they might never return from.
In an isolated house, a group of friends battle supernatural forces as they try to protect a young woman from an evil cult in this low-budget shocker that pays homage to 70s horror and exploitation classics.
In a small western town, a father obliges a doctor to separate two conjoined twins in a very hazardous operation. One of the children dies but years after seems to have survived as his brother's second personality.
“Bloodrop” is an experimental short directed by Aleksei Popogrebsky. Originally part of the Experiment 5ive omnibus, hence the black envelope with the picture inside, which had to be the common element of all 5 films.
Shuta, Saku and Michiru have been best friends since they were kids. Tragedy strikes the friends when during the winter of 2010, Saku dies from a heart attack. After Saku's death, Shuta and Michiru become more distant.
Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.
A young wizarding student sets out on a quest for a magic potion that can bring back his missing father. He faces several hardships while trying to find and rescue his father.
A man (Arroyo Carrillo) is sent to Europe on a diplomatic mission. The ship in which he travels is sunk by a German submarine. In Mexico, his girlfriend Lupita (Cota) receives a telegram with the news and looks for relief in La Virgen de Guadalupe, saint patron of catholic mexicans. After reading a book about the Virgin legend, Lupita falls asleep. Next morning, she receives good news, her boyfriend is alive. Together they go to La Villa del Tepeyac (a church devoted to La Virgen de Guadalupe) and thank for the miracle.
College freshmen Debbie and Marcie are excited to start their new lives at a Pacific Northwest university but after being invited to a Zeta Omega Epsilon party the two suddenly find themselves in the strange and occult world of Role Playing Games. The duo are soon hooked on the highly addictive experience that is RPGing and the game quickly becomes a habit that consumes their lives. After Debbie’s intense pagan training through the RPGs lead her to accept an invitation to join a witches’ coven, her grades begin to plummet and she is in danger of flunking out of college. She calls on darker and deeper magical forces to use a “mind bondage” spell on her professor. Meanwhile, Marcie foolishly reads from the Necronomicon and summons Cthulhu.
A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.
A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.
A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.