Kaanchi movie is a musical thriller with a love story. It is a story of the inner power of a woman who represents millions of suppressed youth against unjust in the country. It is also the story of an innocent rural beauty and her fight against power.
When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...
Consul daughter Anne Stülcken wants to take her fiancee undetected under the magnifying glass and therefore slips in her father's villa in the role of a maid.
Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.
A witty and cheerful musical comedy made under the Communist regime. The Black Sea coast and the city of Constanta, in the height of the summer season, as well as the pearls of Romanian tourism, the resorts of Mangalia, Saturn, Venus, Jupiter, Neptune and Olimp, offer a more than generous setting for a comedy with songs and dances, with beautiful boys and girls, with important ladies and gentlemen, with adventurers, for one day or for several days, with tangled suitcases, functions and destinies, in a turbulent humoristic atmosphere.
Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.
Vera Meiners' life was sweet but unfortunately for her, it was not to last. Her husband, Jan, left her after she met a former lover in a harmless friendly meeting. Forced to resume her disrupted medical career, she worked in a Swiss clinic but, without the knowledge of the chief surgeon, Vera ordered a risky operation to be performed and was thereafter fired. Penniless, she then works in Spanish nightclubs in order to provide for herself and her child. After many years, she runs into her friend Frank again in one of these nightclubs...
Undeniably one of the most important and influential gay music acts in the last twenty years, Pansy Division pioneered the "queercore" genre long before other gay musicians had the confidence to come out of the closet, and without major record label support or mainstream radio airplay. Using original and archive footage and covering over fifteen years as a group, Pansy Division: Life in a Gay Rock Band is a fast-paced, intimate and humorous account of one of rock's most fearless acts. From their first days in San Francisco's underground music scene to a full-fledged stadium tour with Green Day and beyond, founding members Jon Ginoli and Chris Freeman overcome increasingly difficult line-up changes, prejudice and near-poverty to keep the band together and create music that has truly made a difference.
Documentary about “Os Mulheres Negras” , the world´s third smallest big band, discussing music, aesthetics and creation in Brazil from the 80´s till nowadays.
Screenwriter John Good's rock & roll adaptation of Shakespeare's Othello who is a wandering evangelist who happens onto Iago's remote commune. There he marries the lovely Desdemona much to the chagrin of Iago, who also loves her. The conniving commune leader then manages to quietly pressure Othello until murder and tragedy ensue. Songs include: "Othello", "Working on a Building," "Eat the Bread, Drink the Wine," "Book of Prophecy," "That's What God Said," "Chug a Lug," "Open Your Eyes," "Lust of the Blood," "Put Out the Light" and more.
On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.
Jiaming, a free spirited teenager, has never taken school seriously. However, he is forced to confront his future when he flunks his O level exams and drops out of school. While deciding his future, Jiaming decides to help out at his parents music pub, Meng Chuan. Jiaming's buddies Caogen, Haoban and Xiaopang pass their exams and move on to Junior College. But they are caught renting porn magazines by the principal and are suspended for a month. During this month, the boys join a local music competition, have a taste of first love, and work hard to bring business back to the struggling Meng Chuan. In this coming-of-age tale, Jiaming and gang realise the harsh realities of the real word. In growing up, choosing to follow your heart is never easy in the face of societal expectations.
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.