A journey in the history of the Brazilian songbook with a look at the relationship between poetry and music, sewing testimonials of great names of our culture, musical performances and amazing research of images.
Bop Girl Goes Calypso is a 1957 American United Artists film directed by Howard W. Koch and starring Judy Tyler. It featured Calypso music, and music by the Bobby Troup Trio and bassist Jim Aton. The calypso craze of the late 1950s drives this fun musical about grad student Bob Hilton (Bobby Troup), who sets out to prove that rock 'n' roll and bop are going the way of the dinosaur, to be replaced by the refreshing rhythms of calypso.
The Mad Morgans are a family song and dance act touring the British Music Halls. Young Davy is the star of the act but should he stay with his family or strike out on his own ? The last comedy to be produced at Ealing Studios.
Al Jolson's first sound film. Dressed in overalls and wearing black-face makeup, he sings three of his hit songs: "When the Red, Red, Robin Comes Bob, Bob, Bobbin' Along ", "April Showers", and "Rock-a-Bye Your Baby with a Dixie Melody ".
Here’s an interesting and extremely rare documentary from 1989, which features legendary producer and multimedia artist Brian Eno discussing his process and his thoughts on music in general.
In Hamburg, the general manager of Merkur Insurance is full of praise for his top-selling agent, Harry Weber. As a reward for his services, he grants him his heart's desire: a pilot's license. Naturally, the flight school is located in an idyllic small town that the insurance company hasn't yet developed. The head of the Bergen Gymnasium located there is Oskar Weber, Harry's twin brother, whom he lost touch with 20 years ago. Everyone now considers Harry the strict headmaster, and who would refuse him the good advice to sign a contract with Merkur? Until the two brothers finally come face to face, they trigger the most confusing situations, which culminate in a joyful happy ending with a lap of honor followed by a crash landing.
Three years in the making, this feature documentary follows the progression of the Muslim Punk scene: from its imaginary inception in a novel written by a white-convert named Michael Muhammad Knight to a full-blown, real-life scene of Muslim punk bands and their fans.
Ted Healy and his Stooges are fired and evicted from a theatre because Ted is annoying women working there. They then get jobs as waiters at a nightclub. Chaos and a few musical numbers ensue.
This performance was recorded in January 2010 during the band's 30th-anniversary Japanese tour. On this trek, the MICHAEL SCHENKER GROUP consisted of Michael Schenker (guitar), Gary Barden (vocals), Simon Phillips (drums), Wayne Findlay (guitar, keyboards), and Neil Murray (bass).
A comical mini opera following the exploits of two goddesses interfering with the lives of mortals. Mistaken identities, miscast spells, and rollerblades abound.
19th century song pluggers in vaudeville theaters and in the streets invited audiences to join in the chorus; this tradition of participation appeared in movie theaters by the mid-teens. When sound arrived, Fleischer Studios’ delightful “Screen Songs” added witty animated prologues and celebrity singers to prepare the audience for the ball that bounced through the lyrics.
Deep and Rishi, best friends and passionate musicians, navigate the challenges of their personal and professional lives while preparing for the annual music contest, "Jhankaar Beats." Deep enjoys a stable life with his wife, Shanti, and young daughter, but faces pressures from a demanding job, a quirky client, and a meddlesome mother-in-law. Rishi, on the other hand, is grappling with a failing marriage to his headstrong wife, Nicki, and the emotional toll of living apart. When Neel, a talented guitarist with his own romantic troubles, joins their advertising agency, he becomes an unlikely ally. Together, the trio juggles work chaos, relationship conflicts, and their unyielding dream of winning the competition. Set against a backdrop of music, camaraderie, and laughter, their journey is one of self-discovery, forgiveness, and the pursuit of harmony both on and off the stage.
Tom and Jerry work as piano tuners. After seeing them at work and several creative ways of tuning a piano (such as removing the offending key and cutting the key itself to a shorter length), the two attend an opera singers performance. The singer passes out when the piano plays a wrong note, and Tom and Jerry are pressed into service to re-tune the piano. After pulling the offending key from the keyboard like a bad tooth, the two give the opera audience a jazz piano performance, with the now recovered opera singer joining in.
Nicky Nelson is a fast-talking sideshow barker with a wax-and-alive concession on Atlantic City's boardwalk. Even with the band of his friend, struggling musician Gene Krupa, playing on the sidewalk to attract the customers, "The Living Corpse" and other low-rent acts aren't enough to lure the seen-it-all boardwalk strollers, and the landlord closes the show in lieu of never-paid rent. Nicky, always promoting, goes to Stephen Hanratty, head of the pier's Dance Pavilion, to plug Krupa's band as an attraction, but Hanratty won't even listen to them. But, while there, he meets singer Lily Racquel, who knows he is a phoney but might have the ability to to talk a radio-station manager into giving her an audition. She gives him a ring to help finance the project; he promptly loses it in a crap-game.
A businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses to tell him who she really is, her accuser decides to take her home where he can keep an eye on her until 12 o'clock the next day, the time at which she has calculated that it will be safe to tell the truth! But when his fiancée arrives unexpectedly and then his 'guest' is mistaken for her, it all gets rather embarrassing...