On January 24, 2014, Carole King was honored as the 2014 MusiCares Person of the Year. At a gala event in Los Angeles, Carole and a cast of superstar guests performed some of the quintessential songs from her renowned and celebrated career.
An Arizona gas station owner faces comic adventures after traveling with an eccentric millionaire to New City, where he meets up with a small-time con woman and is repeatedly mistaken for a gangster.
For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer John Williams, long a champion and close friend of the LA Phil. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a crosssection of Maestro Williams' matchless canon. Featuring Itzhak Perlman with a very special musical performance of pieces from Schindler's List as well as the Cadenza and variations from Fiddler on the Roof. Jazz elements will fill the air during Escapades from Catch Me if You Can, and may the force be with you during the iconic tunes from Star Wars.
Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.
A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.
Wealthy Mary Townleigh gets lost in the bush and hurts her ankle, but is rescued and stays with the Hayseed family. She starts a romance with their neighbour, Englishman John Manners...
The short documentary starts with Wieder-Atherton telling the story of how she came to fall in love; first with music in general, and then with the cello, and goes on tell how she found her specific style, using the music to try and almost form words of communication. It's a delightful and enlightening interview. This is followed by Wieder-Atherton playing 6 short pieces of quite different styles, from the heartbreaking melodies of Schubert and Brahms to Berio's more edgy modern sounds.
In the early 2000s, the landscape of French rap undergoes a transformation, opening up to new horizons. A look at the birth, evolution, and legacy of an original rap that left a mark with its boldness and the novelty of its sounds and themes.
Munish and JK were friends, bound together in many ways. JK has helped Munish in his education, a trip to England for higher education and has now made him Engineer-in-charge for his prestigious dam project. JK's brother Ravi is engaged to Munish's sister. But these bonds of friendship are severely tested when Munish finds out that JK's vast empire is not built on totally honest business practices and refuses to support him. JK interprets Munish's behavior as avenging the fact that JK loves his girl, Meena, and expects Munish to give way for him in return for his favours. But Munish knows otherwise. He knows that though he loves JK dearly and would sacrifice his life, his love for him, he will not compromise on his principles. How will the conflict between emotion and principle be resolved? Will Munish have to choose between his heart and his conscience?
One of the most celebrated recordings of the Pink Floyd, professionally filmed in San Francisco on the afternoon of the 29th of April 1970. Tracks performed are Atom Heart Mother, Cymbaline, Grantchester Meadows, Green Is Thy Colour, Careful With That Axe Eugene, Set The Controls For The Heart Of The Sun.
Daniel is a young medical student. He lives in a student pension called "The Star" next to a group of student friends like him. Daniel is going to try to have his mother reconcile with his grandmother.
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music.
Wochende (Weekend) is a film initially commissioned by the Berlin Radio Hour. Prior to Weekend, Ruttmann had made numerous celebrated avant-garde films, namely Opus I-IV, and the spectacular Berlin: Symphony of a City (1927). The advent of sound films dawned, and, interested in how spectators perceive sound, he premiered a film without pictures. On June 13th, 1930, the audience took their seats, the lights went down, and the sound of the film was heard. But the screen was completely blank.
Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.