Between 1993 (with the release of Dr. Dre's The Chronic) and 1996 (when 2Pac dropped both All Eyez on Me and The Don Killuminati: The 7 Day Theory), Death Row Records was the most successful label in hip hop, releasing a string of major hits featuring a distinctively laid-back but funky sound that took gangsta rap to the top of the charts. Death Row Uncut collects videos of 28 tunes that Death Row released during their heyday, including "Dre Day" and "Let Me Ride" by Dr. Dre and Snoop Doggy Dogg, "Gin and Juice," "Who Am I (What's My Name)," and "Murder Was the Case" by Snoop Doggy Dogg, "Natural Born Killers" by Dr. Dre and Ice Cube, and "To Live and Die in L.A.," "Hit 'Em Up," and "Dear Mama" by 2Pac. Death Row Uncut features unreleased live performance clips and uncensored versions of some videos that were softened for broadcast; it also includes an interview with label CEO Suge Knight, who has few kind things to say about his former co-workers.
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
This show is more of a tribute for the fans than any self-adulation on Davis’ part. It’s obvious form his voice when he speaks with the audience just how grateful he is to them, and just who it is he’s putting the show on for. The music reads like Davis’ personal selection of best-ofs, including several songs from ‘Queen of the Damned’ and ‘Spawn’ “Alone I Break”, one of Davis’ favourites, is a high point on the album, but of the 15 tracks on the ones I enjoy the most are “Last Legal Drug”, “Forsaken”, “Redeemer” and “Not Meant For Me.” This is a brilliant must-have for everyone who’s ever been a fan of Korn or Jonathan Davis as a singer and songwriter. From the gothic décor of the Union Chapel venue to the ornately carved throne Davis sat in for most of the performance, this was the perfect setting for the show.
Norbert Lang inherits a hotel and has to deal with a multitude of problems at the end of the year. There's the pushy singer who wants to get closer to him than he'd like. The staff quickly takes off after arguments. When the heating starts acting up, he has to hire a repairman. But the repairman shows up with unexpected backup and causes even more chaos.
Tony and some friends put together a rock band to do some concerts and earn some money. Unfortunately the military service is incumbent, but fortunately the boys will find themselves in the same barracks.
A compilation of proto-music videos featuring leading British rock bands of the 60s, including The Animals, The Spencer Davis Group, and Herman's Hermits.
Children from the village Bystrá are awaiting a nice and thrilling weekend. On Saturday they will play the championship football match with the nonresident boys from the village Skuhrov, on Sunday there will be the funfair with merry-go-round, swings and stalls with dainties. The members of the family of the merry-go-round man are brother and sister Janek and Zaneta Mareks whom the children have known since the last year. At that time Zaneta made friends with girls and Janek, an excellent football player, has been a welcome support of the football club.
Theodora, Jody and Carol, collectively The Violas, are on tour when their van breaks down in a small southern beach town. The local police are investigating a mass of mysterious debris on the beach and the disappearance of a little girl's parents after she's found walking the beach in a state of shock. Scientist John Patterson is called in to help investigate. Both John and local mechanic Hector Garcia fall for Violas lead singer Theodora, but she seems to have no interest in them, possibly because of a mysterious past. Hector convinces the girls to stay in town when he offers to repair their van in exchange for playing his party, but the mysterious creature is still on the loose.
Frank Zappa: A Token of his Extreme is the 1974 television special recorded at Kcet in Hollywood that was produced by Zappa and aired only in France and Switzerland. The program, as thoroughly tweezed and produced by Zappa for his own Honker Home Video label, includes the following musical performances by Zappa and his band: T”he Dog Breath Variations/ Uncle Meat,” “Montana,” “Florentine Pogen,” “Stink-Foot,” “Pygmy Twylyte,” “Room Service,” “Inca Roads,” “Oh No,” Son of Orange County,” “More Trouble Every Day” and “A Token of My Extreme.” In the words of Zappa himself as he said it on The Mike Douglas Show in 1976, “This is put together with my own money and my own time and it’s been offered to television networks and to syndication and it has been steadfastly rejected by the American television industry.
VH1 Storytellers is a VH1 original series in which a singer/songwriter performs and tells stories in front of an intimate audience about their life in the industry, writing lyrics, playing with other musicians and their career.
Kuvaputki is a multi-angle DVD by Embryoroom produced and directed by Edward Quist and co-produced by Derek Gruen aka Del Marquis, with music by Pan Sonic, the Finnish experimental electronic music duo consisting of Mika Vainio and Ilpo Väisänen. The film is "a hyper-real multi-angle DVD environment. Pan sonic, Mika Vainio and Ilpo Väisänen, are immersed in the imagery of the cathode which seems to live and infect their physicality over the course of three parallel films as they merge with their own extreme sound and into Quist's sinister vision."
A fascinating look at one of the most unforgettable groups of the '70s. You'll see Richard and Karen Carpenter performing lots of their classic songs, plus rare archival footage and tributes by Herb Alpert, Les Paul, Burt Bacharach and more. Contains exclusive footage not seen on the PBS broadcast. 1997/color/75 min/NR/fullscreen.
A doctor develops pills that make Hal a great tap dancer. Lola Green sees Hal dancing in a drugstore and asks him to join her vaudeville show. Everything is fine until Hal's pills disappear.
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt