Alan Masters is a despicable businessman with his hands in organized crime. He marries Diane, a kind and gentle woman, and abuses and batters her viciously. Sergeant John Reed has had enough of his city's organized crime and, against the wishes of his dirty-cop superiors, tries to get evidence against Alan Masters. After Alan finds out that Diane has been helping Reed, he beats her to death...and its up to John Reed to put him away for it, and clean up the dirty cops that want to stop him. Part I starts with Diane's death and then, in a flashback, details her struggles against abuse and Reed's struggles as he coaches her to gather evidence against Alan. Part II deals with Reed's struggles with intimidating cops.
Valerio is a famous advertising man who is going through a deep crisis of inspiration. His company is also going through a difficult time but the man gets the fundamental help of his sister Barbara and his brother-in-law Giulio, who offer him a considerable sum of money if he will take care of their son's dog, since they will be abroad for some time. Too bad Valerio can't stand dogs, but when he's forced to accept and starts taking care of Spugna: it will be the beginning of an experience that will change him in an unexpected way.
An inventor moves his family into a prototype smart home in order to work out the kinks and sell the program. But the AI gets the idea that its human inhabitants are standing in the way of its goals and tries to eliminate them.
Scoop is a 1987 TV film directed by Gavin Millar, adapted by William Boyd from the 1938 satirical novel Scoop by Evelyn Waugh. It was produced by Sue Birtwistle with executive producers Nick Elliott and Patrick Garland. Original music was made by Stanley Myers. The story is about a reporter sent to Ishmaelia (a fictional African state) by accident.
A beautiful but equally dangerous widow won't take "no" for an answer as she draws a dedicated family man into a world of passion, deceit and betrayal, threatening to destroy him in the process.
The writer Louis Gardel remembers his youth in Algeria. In 1955, Louis is 15 years old and lives with his grandmother Zoé. Zoé is friend with president Steiger, leader of the French settlers but also with the old Arab Bouarab. One night looking at the Bay of Algiers, Louis is convinced that the world in which he has grown will disappear. The first events of the War of Independence have begun. The young boys and young girls have a good time at the seaside: swimming, dancing, flirting. But, little by little, the war becomes part of their daily life.
In the Austrian Alps have found the body of a young woman who died in a skiing accident eight years earlier. Dr. Marc Pelletier decides to return to the scene, as it is the brother of his ex-girlfriend. When he reach the ski resort, a dreadful avalanche buries all the people.
Pilot for TV series of the same name released in 1978. The film told the tale of Molly and David Beaton, two teenage newlyweds, homesteading in the Dakota Territory in the 1870s.
Huckleberry Finn, a rambuctious boy adventurer chafing under the bonds of civilization, escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi River. Accompanying him is Jim, a slave running away from being sold. Together the two strike a bond of friendship that takes them through harrowing events and thrilling adventures.
The action moves along quickly, jumping over holes in the script, in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.
Barnum the musical traces Phineas Taylor Barnum's career from 1835 to 1881 when he joined James A. Bailey to form the circus which was called The Greatest Show on Earth. Barnum is a defender of "the noble art of humbug" with a philosophy, and has a free wheeling ambition to make a fortune. He buys the oldest woman in the world, named Joyce Heath, as a sideshow attraction. Barnum builds a museum of curiosities supported by his wife Charity, who would like him to settle down.
A convicted rapist continually violates his parole but slips through the cracks of the justice system until his crimes escalate into a frenzy of terror against five helpless women.
In the early 1990s, an Israeli freelance journalist travels to Germany and uncovers a dangerously pervasive underground Neo-Nazi faction intent on bringing Nazism back to the forefront in Germany.
The miniseries featured James Brolin as Ronald Reagan and Judy Davis as Nancy Reagan, and covers the period in time from 1949 when Reagan was still in Hollywood, through his governorship of California until Reagan's last day in office as President in 1989.
When Ruth Whitney abandons her two children with her sister Barbara is left to take care of them, at first none of them like it but soon they grow to like each other. Then over a year later Ruth comes back saying she wants her kids and Barbara goes to court to fight for custody.
An alien life form lands on earth and begins to feed off electricity, making it grow to enormous size. The authorities must stop it as it slithers cross-country towards a nuclear power plant.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."