After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
Occupied Yugoslavia. With organised resistance shattered by the Nazi onslaught it is only the activity of small guerrilla bands that bring fresh hope to the people. But quislings and infiltrators are everywhere – and trusting the wrong person could easily get you killed...
As Germany's fortunes in the latter part of World War II wane, several young boys, in their enthusiasm to do something "for the fatherland", volunteer to fight with the German army in the East. Horrified at the news that their children left for the Russian front, the boys' mothers begin a desperate effort to get their sons back.
The last surviving veterans of the worst battle of a zombie war recount their horrific memories to an author who is writing a book about their experiences.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
The adventures of a young man as he moves from the Latin-American revolutions in the sixties and seventies, through Hungary in the eighties, to the Croatian war in 1991.
Uka is an old Albanian who lives in the mountains on the border of Kosovo and Albania. As an honorable man, he must deal with his son who befriended Italian fascists during WW2.
The story of a woman who searches through the country for her husband, a resistant, while the war for independence is raging. She finds him at last and saves his life. When peace finally arrives, they have to learn how to be together again and start living in a destroyed land.
A biographical portrayal of Simon Wiesenthal, famous Nazi Hunter. From his imprisonment in a Nazi Concentration Camp, the film follows his liberation and his rise to become one of the leading Nazi hunters in the world, bringing such criminals to justice as Adolf Eichmann and Klaus Barbee. (Written by Anthony Hughes)
During the World War II in Italy, Sergeant Joe Mooney is leading his small squad on the front-lines but is ordered to avoid rescuing a soldier trapped in no man's land.