This film dramatizes the problems facing ordinary American soldiers during the Revolutionary War, explaining why most ultimately chose to stay and fight.
Military conflicts unfortunately aren’t a rare thing in our tense world full of anxiety. Civilians are usually involved in them against their will. They themselves suffer internal conflicts. A short film “Zafar” tells a story about such an internal conflict unfolding against the background of the Abkhaz-Georgian conflict.
The story takes place in Karabakh mountains in 1992, in the times of Armenian-Azerbaijani war. A small group of Armenian soldiers is working their way through the snow to reach the necessary point. One of them is so exhausted, that he can't keep on going. He is obliged to stay and wait for the reinforcement. He is left alone with the body of the Azerbaijanian soldier, who was shot by his companion. Checking his I.D., he discovers that they are from the same town, that they are countrymen.
Two young soldiers on opposite sides of a near future civil war are forced to confront their differences when they are taken captive by a stubbornly neutral old sheriff.
Ji Fa unites the princes of the four directions to march into Chaoge. Yin Shou and Tong Tian Jiaozhu set up the 'Nine-bend Yellow River Formation' and the 'Zhu Xian Formation'. Yuan Shi Tianzun brings the twelve golden immortals down the mountain, and the war between the three realms of humans, immortals and demons is about to break out.
A boots-on-the-ground documentary following animal rescue and humanitarian aid during the Ukraine War. Edited together with various news coverage of the conflict, the story unveils a portrait of war's most insidious weapon: dehumanization. This film was made entirely non-profit by independent journalists and activists.
In this dynamic and dramatic short film, an African American veteran takes us on an extraordinary journey through his life. From a chance visit to the Pentagon, to growing up in a vibrant integrated neighborhood, his story is one of resilience and inspiration. Fueled by the determination to seize educational opportunities, he enlists just in time to experience the racial divisions of his era before Truman desegregates the military. Thrust into the brutality of the Korean War, the weight of combat becomes an indelible part of his soul. Returning home, he embarks on a new path as an architect and discovers unexpected connections in far-off Pakistan. As his family expands, his sons reflect on the man who raised them and the legacy he instilled. This film unearths the essence of the Black experience in the early 20th century, paints a vivid portrait of the Chosin Reservoir, and unravels the intricate tapestry of race, family, and personal growth.
Post-war Yokosuka, Kanagawa Prefecture. Adults who are swayed by the US military stationed in the country and swayed by US intentions cannot afford to care about children who should be protected. The war orphans, who had no choice but to survive on their own, were used to shining shoes for American soldiers, picking up cigarettes, and sometimes committing crimes. However, at some point, they came across a "cleaning" job. They work hard instead of committing crimes and earn money by being appreciated by people. The orphans begin to regain their smiles through experiences that make them feel like they should be alive. The children started to have a modest dream of "renting a house and living" with their own earnings, but they were attacked by an even harsher reality...
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.
The film has been designated as a key film project by Yunnan Province. Through a fresh perspective and vivid storytelling, it pays tribute to the heroic achievements of veteran proletarian revolutionaries during the Long March through Yunnan. It deeply commemorates the revolutionary martyrs who made the ultimate sacrifice and highlights the profound bond between the Red Army and the local ethnic communities. With small stories reflecting grand emotions, the film vividly portrays the brilliance of humanity and the heartfelt, romantic revolutionary spirit of an earlier generation. It has also been recognized as a patriotic public welfare film under the "China Campus Health Action" initiative.
Centers on three French “camoufleurs,” civilian artists turned battlefield illusionists, who find themselves trapped behind enemy lines. Their only chance at survival lies in outsmarting a devastating new enemy: the German flamethrower incinerating everything in its path.
From his early days as Matsudaira Motoyasu through his rise to the most powerful man in Japan as Tokugawa Ieyasu, the first of the Tokugawa Shoguns, this is the story of the man who truly unified Japan under one ruler. Tokugawa Ieyasu is quoted as saying: “People carry burdens through life as they travel a long road. Never rush” “If you think of privation as normal, you’ll be contented. If you know only about winning and losing, harm may fall upon you. Being inferior is batter than being superior.” These writing reflected the beliefs and military strategy of Ieyasu, a man before his time who was destined to take over the entire country in order to ensure the safety of his children.