Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.
Although Mary has little income, she still finds ways to spend her nights at clubs. After being arrested for throwing an illegal rave, she asks her aunt Judy for bail money. Judy then finds Mary a job at her library so that Mary can repay her. Initially, Mary finds the job as a clerk boring and stifling, and prefers to get to know a street food vendor whom she likes. However, Mary must refocus her life once she loses her job and apartment.
Detective Rita Rizzoli is accustomed to donning costumes and going undercover to nail crooks. But she'll be required to use all of her get-ups and more when a major cocaine ring is suspected of turning out a potent new strain of the drug, called "Fatal Beauty." With the help of her partner and a former bodyguard for a local cartel, Rita will do whatever it takes to find out who's dealing Fatal Beauty and stop them.
A con artist arrives in a mining town controlled by two competing companies. Both companies think he's a famous gunfighter and try to hire him to drive the other out of town.
In 1957 a fiery object crashes into a mountaintop in the California desert, bringing the threat of disaster to Earth. Out of the flying saucer escapes a murderous creature, the Ghota, bent on destroying all life forms on the planet. A benevolent alien from the spaceship, Urp, inhabits the body of Ted Lewis, an astronomer and with the help of Tammy, a diner waitress, sets out to save mankind.
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
Summer war games between the neighborhood kids turns deadly serious when jealousy and betrayal enter the mix, in this alternately hilarious and horrifying black comedy that mixes equal parts Lord of the Flies and Roald Dahl.
Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore.
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
An intimate family portrait of four hapless but resilient women and the bittersweet lessons they learn in keeping up with the hectic demands of their individual neuroses. Each of the women seeks redemption in her own haphazard way, but whatever salvation they find is illusory and short-lived.
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath in north-west London, the film investigates the minutiae of seven couples. What makes us tick?
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.