In present-day Japan, little Masashi moves from an evacuation center to a small village. There he will discover that every child has the ability to communicate with a fantastic creature, but they are being used in an evil plan to collect the children’s negative energy. Artist Takashi Murakami ‘s debut film is an amazing epic story that is an X-Ray of children’s hopes and fears with the artist’s unmistakable visual style.
An aging, skateboarding veterinarian Sir Billi goes above and beyond the call of duty fighting villainous policemen and powerful lairds in a battle to save an illegal fugitive - Bessie Boo the beaver!
Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld who specializes in sly, cowardly mischief. When war comes to the island, Tõll arrives to aid his dying army, but the devil takes advantage of his absence to wreak havoc on Tõll's home.
Tom chases Jerry into a fish cannery; they get sealed into cans. Tom breaks out, but falls off a pier as the cans roll under him. A shark chases him out of the water; Tom drops an anchor on the shark. Meanwhile, Jerry has been hopping in his can; Tom opens it, and puts his finger in, which Jerry bites. Jerry tricks Tom into falling off the end of another pier, and right into the shark's path again. The shark manages to get Tom into a very precarious position, barely holding the jaws apart. Jerry takes pity, and dumps a shaker full of pepper into the shark, which ends up on the processing line and stuffed into a huge can. Tom is unrepentant, so Jerry tricks him with a fake shark fin.
The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.
A dog decides to quit the slapstick comedy of cartoons and go to his country home to concentrate on Shakespeare, but two troublesome yet polite gophers foil his grand plans.
Hraï, Oko and Tour come across extraterrestrials in search of oil to repair their saucer and be able to return home. Together, they cross Europe, find themselves defending Bulgaria invaded by enemies, discover an aqueduct in Italy and narrowly escape the Inquisition in Spain.
Tur regrets being single until he meets a charming maiden to whom he promises a new pair of boots. He gets trapped at a witch’s sabbath hosted by the devil, who promises him a pair of boots in exchange for his soul.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."
A prototype of modern music videos, this is an animated film set to the music of two popular tunes recorded by Herb Alpert and his Latin-flavored brass ensemble - "Spanish Flea" and "Tijuana Taxi". Preserved by the Academy Film Archive in 2003.
A tour of the zoo, in typical Tex Avery style: a series of one-liners and sight gags, punctuated by Egghead teasing a lion at intervals, despite the admonishments of the narrator.