Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.
Princess Minerva enters a tournament that offers the winner a fortune. But when her bodyguard gets kidnapped by an evil sorceress, things really start to heat up.
Spooney Melodies were a series of live-action musical shorts produced by the Leon Schlesinger Studios during the 1930s that capitalized on the popularity of organ music played in Palace-style movie theaters and were intended to be played as the short before the main feature. This short film is the only surviving example of the series, which was something of a precursor to the animated "Merrie Melodies" cartoons that followed later.
Chided by a narrator, John Rooster thinks Elmer Fudd is going to slaughter him with an axe for Sunday dinner and is willing to do anything to prevent his hour of doom.
One year ago, Yūta lost his father in a car crash. Now in the 6th grade, Yūta goes to catch beetles in a dam near a mountain, a place he often went with his father. There, Yūta meets a strange old man, and while walking in heavy rainfall, slips and blacks out. When Yūta awakes, he sees a child, Saeko, who shows him a village from the past. A precious summer vacation for Yūta begins.
To the classic tune of "Barnacle Bill the Sailor", Olive explains that she can't marry Popeye because she's in love with Barnacle Bill (an unusually large Bluto), who then comes by and proceeds to pound Popeye (until he eats his spinach, of course).
Popeye and Olive Oyl can't ignore it when produce vendor Bluto comes by with his terribly overloaded cart, whipping his horse and denying it water. They intervene.
5 Meters 80 really is an absurd movie. Yet, no matter how ridiculous, Nicolas Deveaux managed to make it look so realistic that it’s as if giraffes jumping off the high dive are the most natural thing in the world. And that’s what makes it amazing.
Mexico 1914. During the Revolution, a raid by the army in a small mining town leaves Gapo, 11, orphaned. Taken captive to be turned into a child soldier he escapes with the help of Juan Escopeta, a gunman for hire. Together they travel through a country absorbed in civil war in search of Gapo’s older and only brother: a famed revolutionary outlaw.