Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
On February 11, 1990, while the odds were technically 42 to 1, it was the impossible that happened in a boxing ring in Tokyo, Japan, when James "Buster" Douglas defeated Mike Tyson for the heavyweight championship of the world. Fallen from a top-10 heavyweight contender in the mid-1980s to a stepping-stone for the champion, Douglas was lightly regarded. But a series of extraordinary circumstances would lead to an unimaginable result.
For over half a century, 60 Minutes' fearsome newsman Mike Wallace went head-to-head with the world's most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Wallace's storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.
In 2015, the Taliban put a price on the head of Hassan, a filmmaker, who was forced to flee Afghanistan with his wife and two young daughters. Using their camera phones, the fugitives show first-hand the many dangers refugees face when seeking asylum in a safe place.
At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit's nurses' emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.
Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock 'n' roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life's biggest crisis.
The definitive look at Betty White's life and career. As the only authorized documentary on Betty ever made, this film is packed with hilarious clips from her long career. Plus comments from friends and co-stars.
A documentary about a Thai idol girl group, BNK48 originally adapting from a Japanese idol girl group, AKB48 open opportunity to ordinary teens to be selected into a controlled system and competitive concept.
1938 - 2018: Eighty years after the Promulgation of the Fascist Racial Laws: an important and unfortunately very topical anniversary. Eighty years ago, Italian population, who had not a tradition of anti-Semitism, was pushed by the fascist propaganda into accepting the persecution of a minority, which had been living in Italy for centuries.
Composed of a series of portrait shots of mostly anonymous individuals, filmmaker Tsai Ming-liang's digital experiment turns the human face into a subject of dramatic intrigue.
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
Since 1999, 18 of the last 22 winners of the Scripps National Spelling Bee have been Indian-American, making the incredible trend one of the longest in sports history. “Breaking the Bee” is a feature-length documentary that explores and celebrates this new dynasty while following four students, ages 7 to 14, as they vie for the title of spelling bee champion.
DocuDrama about 13th century pre-Christian culture. Danish spy Lars enters the tribal lands of the Baltic peoples, where he takes part in religious rites, cruel forays, gets high during the Summer Solstice, becomes slave to the Couronians and even fights the crusaders. Who were the last pagans of Europe and how did they live? It is a unique trip into the textures of the past and into the unknown lands of the Baltic Tribes.