Shrewd money manager Alexis Taylor gets the holiday visit of a lifetime. A self-proclaimed workaholic who ‘humbugs’ love, Alexis ends up embracing the spirit of Christmas when her past, present, and future collide, forcing her to risk the one thing money can’t buy: her heart.
Allison Pyke is a young angel who's trying to get her ticket into heaven. Complications arise when two important men in her life unexpectedly show up to form a love triangle.
The world is ending, but the president of The Grand Turkish Republic won’t let that happen until he has a chicken schnitzel. Gleefully silly science fiction satire with political bite.
Sangtae and his teenage daughter Doyeon are constantly arguing and haven't had a genuine conversation in years. When their souls are switched by a magical force for seven days, they must learn to tackle the awkward and unfamiliar situation in each other's shoes.
Mona picks up her first job tutoring two orphaned children living in a derelict house in the country. Her obsession with trying to educate these two nearly feral children blinds her to the fact they have other plans for her.
Senguttuvan and Elango are hired by a jewel smuggler to find a cursed treasure responsible for the death of many. Later, with the help of a priest, they summon three spirits to locate the treasure.
Atilla the Hun gives a Silver Saddle to Altar as a gift. The intention of Kostok is the get rid of the Huns and seize the valuable saddle. Little Tarkan's foster mother is forced to leave him in a cave. His cry attracts the attention of a wolf, who raises Tarkan like his own cub.
In an outer-world night, creatures that live beneath human consciousness emerge and take hold of the narrator, dissecting his spirit and dismembering his thoughts. He beholds a mythical eternity filled with shadowy industrial scenes and monochrome textures—a heavenly hell of unending life and death.
A team of professional ghost finders are trapped in an old village hall. The haunting they set out to investigate turns out to be far worse than they anticipated. Who will survive and what will be left of their souls?
Claudio is a selfish 40 year-old man who enjoys all the pleasures in life. With a limitless bank account at his disposal and a charming appearance, he jumps from one girl to the next . . . until he falls in love with Luisa.
In time of war, a man must survive to make a journey to fulfill a promise made and discover the truth. After a terrible battle, a man sees his great friend perish, leaving him one request – that he visit the king, father of the deceased, to give him the news of his death. Tied promise on his deathbed friend, the warrior part for the meeting with the monarch, an old man and convalescent, who lost his only heir. The king demands that the warrior’s serve, but the man is tired of war and want a place to live in peace. When the warrior goes in search of tranquility, his path crosses that of a beautiful young woman, chased by soldiers. He saves her and discovers she is a witch. With the Inquisition coming to the kingdom and a new love in his chest, the warrior must regain their weapons to prevent more blood from the people he loves spill.
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.
A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
This movie is a spoof of "Planet of the Apes" (1968) and follows the storyline of the original step by step - in spite of being a crazy parody of the original film. A group of men lands in a balloon on an area (it's not a planet, it's more like a hill) where talking apes rule and humans are slaves. The apes try to transform the guys in monkeys; a simian princess falls in love with one of them; and so on. This film is one of the several movies made for the popular Brazilian group "Os Trapalhões" - Didi (Renato Aragão), Dedé, Mussum and Zacarias (who at this point hadn't joined the troupe yet) -, many of them inspired by American blockbusters. It's a very fun entertainment, but the humor is very "local" to be understood in other countries. Oh, yeah, the ape "makeup" is terrible, but that's part of the fun. The movie doesn't take itself seriously.