In a world where the zombie apocolypse is an unquestioned reality, truly righteous brothers tackle love, loss, and life lessons amid the backdrop of an epic spring break.
Gino, a selfish trickster who works for a design firm where he routinely steals ideas and spars with his co-workers. Gino gets into a traffic accident and savds by his childhood love, Gillian, who's now a fireman. Being a fireman was actually Gino's childhood wish, but somewhere along the way he became a scum. Gino discovers that he has the ability to feel the emotions of those he touches. He uses the power for petty selfish reasons until a life-changing incident causes him to mend his ways.
In this magical, enchanting fairy tale we follow a young girl who, in search of her long-lost father, discovers a charming hidden cottage inhabited by the beautiful Snow White and the seven dwarves. With her newfound friends by her side, they embark on a spell-binding adventure to find her missing father and discover whether 'happily ever after' really does exist.
An American in Istanbul gets entangled in the affairs of a melancholic aristocrat and her son Haldun, leading him slowly into a dangerous web through many secret layers of the city.
Shortly after Shinnosuke Tomari (Ryoma Takeuchi), Kamen Rider Drive, eradicates the Earth of the 108 Roidmudes, he is put on a special assignment to investigate paranormal activity elsewhere in the city. He heads to the temple Daitenkū-ji to speak with witnesses Akari Tsukimura (Hikaru Ohsawa) and Onari (Takayuki Yanagi), but as he is interrogating them, a Gamma appears and steals an Eyecon from the temple, prompting Takeru Tenkūji (Shun Nishime), Kamen Rider Ghost, to fight it, even though to Shinnosuke it seems that Kamen Rider Ghost is fighting no one at all as he cannot see the Gamma
Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).
The Darling family children receive a visit from Peter Pan, who takes them to Never Never Land where an ongoing war with the evil Pirate Captain Hook is taking place.
Princess Mareile and her brother have been kidnapped. Guided by Mr. Moon, Little Muck uncovers the plot of a witch, steals her miraculous running shoes and frees the captive children from the lair of the evil giant Bumbo.
Siblings hide their ownership of a bordello from their mother. When she is visited by a man who shares the joys of sexual enlightenment with her, her entire world is turned upside down.
Sally, 17, is locked up at Teenland, a prison-like institution for teens who are so fucked emotionally that they have developed supernatural powers. The mission is to normalize the misfit teens and Sally accepts the premise that she is sick and abnormal. But when a rebellious girl instead encourages Sally to embrace her strength, their friendship could change everything.
When Rupert and his friend Amelia find the new substitute teacher doing odd things, they discover that she is actually a witch with a magical talking cat who sought them out in order to stop an evil coven of witches from destroying her.
After Pablo runs away from being shackled in a cabin, he spends the winter in a cave and emerges as a bear. With the help of a writer, Pablo tries to renter human society.
A princess star fairy named Sparkle lives up in the clouds in Castle WishStar. Her job is to grant wishes to children when they wish upon a star. But lately, she has been overwhelmed by the increasing number of wishes being made. So she asks for help and receives not one but five new star fairy helpers. But more troubles arise when they meet a little girl who is upset but cannot think of a wish to make her happy.
“La Fontaine d'Aréthuse” opens with what has been described as a “shimmering wash of sound in the piano, octave leaps in the left hand passing above and below repeated chords in the right,” a tune which apparently suggests the splashing waters of a fountain. The story “told” by the music involves a naked water goddess on the river shore, who is pursued by a hunter, before disappearing into thin air to join her water once again.