A small TV crew makes their way into the most haunted hotel in the US to film a web series on the paranormal. With the help of a Native American medium, they perform “The Speak”, a ceremony that brings forth more spirits and demons than the crew bargained for.
A couple of wandering hippies meet a man by the name of Antonio who takes them to the home where he lives with his sister and brother-in-law. There they meet several strange characters: a gypsy woman, a prostitute and a disturbing drunk. The host tells them that he is a producer of wines and loves to entertain strange people. In fact he is a madman who has created a mechanism that can suck blood from human bodies.
Two writers and their girlfriends visit the castle of an actor who specializes in playing vampire roles. As the night progresses, they begin to wonder if the man is an actor playing a vampire, or a vampire playing an actor.
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
A small town is being terrorized by a killer Bigfoot. One that is blood thirsty, vicious and kills without warning and without discrimination. A scientist by the name of Sarah Evan shows up to help the town's sheriff and his deputy girlfriend Roberta hunt this thing down and put an end to the killings. At the same time, Hunter Crawford is a thug-like character who along with his two henchmen, is hunting the creature himself, for his own personal gain and he does not care who he has to go through to accomplish his goal.
This way madness - or experimental filmmaking - lies. A solitary man in coat and tie enters an apartment. It's midnight. He appears agitated and distraught. He throws a glass of water in his face and laughs. He takes off the coat and tie. His moods swing. He stares at a light bulb. He removes his shirt. He lights a cigarette. He looks at a book. He does something drastic and self-destructive. He opens doors to a garden.
Four men are cursed by a voodoo priest for stealing a sacred idol from his temple. Soon a band of murderous "doll men" are after the men and their families.
A young couple move into a remote country house in the middle of a stone circle. They employ workmen who disturb an ancient menhir, unleashing a supernatural force.
Clara, an attractive young journalism student, has just arrived in town where she will spend her holidays. Shortly after arriving she meets Victor, a passion for the occult that quickly will be fascinated by the charms of her new friend. Together they form a group of young people coming together to live a fun experience while dangerous: make a Ouija session
A computer whiz named 'Bean' is among several people found dead with strange striations, odd puncture wounds and missing internal organs. Bean's brother Ted teams up with detective Gina to get to the bottom of it. With the help of a computer hacker, they find a blueprint that reveals the killer who has been terrorizing the city...a rampaging posse of genetically mutated cockroaches!
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
Scholar Dr. Black's seemingly mundane assignment of sorting through the assets of the Barchester Cathedral library takes an eerie turn when he comes across the papers of the late Archdeacon, who plotted to gain his position through murder. However, he soon comes to discover something truly horrific about the wooden choir stalls in the church, which are tied to a famous local tree and a sinister local legend.
A young scholar spends the night in a creepy temple that is said to be haunted. He doesn't believe in the rumors, but after running into a Taoist swordsman, he meets a beautiful lady ghost.
Filmmaker José Mojica Marins travels to spend Christmas with friends in a small farm, where they spend leisure time while Mojica writes the story for his next film. However, he observes eerie things in the house, with his friends being possessed one by one by some supernatural evil force.
Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability.