Peyton Wells (Ben Lyon) rescues Judy Jones (Joan Marsh) from a very dull young man, at a sedate party given for her by her multi-millionaire grandfather Silas P. Jones (Purnell Pratt.) Judy refuses to accompany Peyton on a slumming trip to a cheap dance hall, and Peyton dances with several of the dowagers and tells them that Silas is practically dying of scarlet fever. The guests hastily depart and Joan joins Peyton at the Dreamland Dance Hall. She is mistaken by Jimmy Cassidy (Edward J. Nugent) as one of the hostesses and decides to dance with him as a lark. One thing follows another and Judy gets disinherited and takes a job at the dance hall through Jimmy and his friend Mabel(Isabel Jewell.) Jimmy confides to Judy his ambition to become a dance instructor over the radio and Judy decides to help him but can't get the needed financial backing. She gets Peyton to front the money, promising him she will reconsider his offer of marriage if Jimmy's plan fails.
A silent, little man carrying a violin case wanders into the kitchen of a swanky nightclub looking for a meal. The chef takes pity on him and convinces the nightclub's owner that the man is actually a world-famous artist. The owner insists that the man perform for his customers. That's when the fun begins.
Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.
Mr. and Mrs. Warner Bros. Pictures and their precocious offspring, Little Miss Vitaphone, host a dinner in honor of Warner Bros. Silver Jubilee, attended by most of the major players and song writers under contract to WB at that time.
Neagle stars as Frances Baring, a socialite widow attempting to keep her late husband's symphony orchestra going. Reluctantly she enlists the help of a young pop singer (Frankie Vaughan) who has fallen for Baring's daughter Joanna, played by a young Janette Scott.
In 2012, jihadists took control of northern Mali. They imposed one of the strictest interpretations of sharia law in history. On August 12th they banned music - radio stations destroyed, instruments burned and musicians facing torture, even death. Overnight, Mali’s most revered members of society – the musicians – were forced into hiding or exile. This film follows Mali’s musicians as they fight to keep music alive in their country. We witness fierce battles between the army and the jihadists, capture life over borders at refugee camps where money and hope are scarce, follow perilous journeys home to war ravaged cities, and for one band, Songhoy Blues, their path to international stardom.
John Mayer: Someday I'll Fly chronicles the musical evolution of one of the most influential solo artists of his generation. Featuring rare demos, interviews and live performances; it is told in it's entirety from Mayer's perspective. Centered mostly on his career and professional accomplishments, Someday I'll Fly strips away the typical gossip surrounding Mayer to provide an intimate look at the life and career of a lauded musician.
Mauro Mateus dos Santos was known by another name: Sabotage. Growing up amidst poverty in São Paulo, the musician, who became a legend after his death, is one of the most important names in national rap.
Deni, a young woman working in McDonalds, has dreams of fame. When a producer discovers her singing talent he gets her into the game. However, she soon feels overburdened. Fortunately, the ghost of Elvis is there to help her.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
Driven by the music and dancing that she finds along the way, a teenager leaves home and not minding the consequences, is willing to try everything that this provocative and tolerant city has to offer.
Queen and Adam Lambert see in the new year playing live to an audience of just 2000, at London's Iconic Big Ben. Setlist: Don't Stop Me Now / I Want To Break Free / Somebody to Love / Another One Bites the Dust / Under Pressure / Fat Bottomed Girls / Radio Ga Ga / I Want It All / Crazy Little Thing Called Love / The Show Must Go On / Bohemian Rhapsody/Killer Queen. Medley: We Will Rock You / We Are The Champions / God Save the Queen (Instrumental played from tape)
The Hollies were one of the most successful British groups of the sixties and early seventies and have continued to perform up to the present day. Look Through Any Window tells the story of their peak years from 1963 to 1975 when the band clocked up 27 UK Top 40 singles, 17 of which were Top 10s. They were also part of the British Invasion led by the Beatles that stormed the US charts in the sixties and scored hit singles in many other countries around the world. This DVD is the history of the Hollies told through newly filmed interviews with band members Allan Clarke, Graham Nash, Tony Hicks and Bobby Elliott and fantastic vintage footage of the Hollies performing their classic tracks in full.