Iranian director Sohrab Shahid Saless has succeeded in taking on an unusual project — the life and times of a German literary figure — and making it interesting. Christian Dietrich Grabbes lived a very short life in the first half of the 19th century and is primarily known for his satire, skepticism, basurd theater and the fact that he presaged the Postmodern movement in literature. Hannibal and Don Juan and Faust are two of his better-known works. In this docudrama, his Comedy, Satire, Irony and Deeper Meaning is featured partly because it gives a drubbing to the icons of German thought that had a stranglehold on the creative process. One memorable moment in this three-and-a-half-hour story is when the alcoholic writer is caught in the throes of delirium and comes around to see his own mother as a figure of death. The irony is that an Iranian director could capture the spirit and age of a German writer so well
Ariane Ostler manages a dairy farm in the mountains of Bavaria.Her former lover Georg visits her to live again a new love.Bernhard Maywald is a income tax inspector send to Reichertsbrunn.
Several years after the battle of Waterloo, a former soldier from Shoreditch sits in a London inn reminiscing about the brave and determined officer who took him to hell and back. The narrator is Rifleman Cooper, and the officer whose fame he recalls is the legendary Richard Sharpe.
A television movie about a veteran policeman who accidentally kills a musician. The ghost of the musician returns to persuade the cop to steer the musician's grandson away from drug peddlers and into a life of music.
A family's camping trip turns into a nightmare when a gang of bank robbers forces the son to guide them through the wilderness to a secret airstrip. Armed only with a hunting bow, the boy's mother, who is a skilled archer and survivalist, tracks the men, determined to do anything to rescue her son.
Janet Flanders is a small-town, unsophisticated young woman who is seduced by the fantasy of romantic love; she believes that someday her prince will come to sweep her away. Then she meets handsome Brett Becker; she believes she's found the man of her dreams -- little suspecting he is engaged to marry a wealthy socialite. Deep into her illusion that Brett loves her, she moves to Chicago to be closer to him, deluge him with calls and love notes, tells her family about her boyfriend Brett, and buys an engagement ring. Her obsession with him leads her from intrigue and eventually to murder.
Zoey, a cyber crime cop, and Barry, a detective, raise their son, Timmy, in a quiet suburban neighborhood. When Zoey confides in her best friend about shift work and the lack of spark in her marriage. Zoey's mind is set in motion and when she discovers Barry is screwing around, she calls him out. Willing to give him a second chance, Zoey tries to mend her marriage. When Barry is seen again with "that" woman, Zoey gets a restraining order and sole custody of Timmy. Late one night a fire in her home tragically takes the life of her son. The evidence points to Zoey taking sleeping pills and smoking - she's charged with Timmy's murder. Zoey goes to Barry for help but he's distant and blames her. Zoey fights back, convinced she was set up to take the blame for Timmy's death. As she fights to prove her own innocence she gets the biggest shock of all.
A museum heist with an unusual twist: the three thieves are all physically disabled. The men, one confined to a wheelchair, one with prosthetic hands, and one blind, plan to steal a valuable statue. The men use teamwork and ingenuity to beat the high-tech security and get in and out with the statue. However, their plan is not foolproof, as a museum guard recognizes their M.O. and pays them a visit.
Fashion model Sarah Cornell, from the front car of a subway, witnesses a man pushing a woman onto the tracks to her death. Hoping to dispel the presumption that the woman committed suicide, Sarah contacts the police. But when they arrive to take her statement, she recognizes one of the detectives as the killer. Can she get anyone to believe her before she becomes his next victim?
Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
After having suffered serious head trauma, Brooke tries to regain her normal life despite having lost all memory. Her wealthy fiancé helps her back to recovery in their beautiful country home. Little by little, as her memory comes back, she realizes that her fiancé is not who he says he is. The fortune is hers.
An estranged father and son are paroled from the same maximum-security prison with one unusual condition, they must become roommates. Their severed bonds are strained as the father battles to keep his son free from the lures of street life.