(From Wikipedia)- "Battle on Shangganling Mountain follows a group of Chinese People's Volunteer Army soldiers who are holding Triangle Hill for several days against US forces. Short of both food and water, they hold their ground until the relief troops arrive. The movie portray the battle as a Chinese victory over an American invasion, and the People's Volunteer Army soldiers were shown as Chinese war heroes."
This animated short by Norman McLaren is a publicity message for a war bond campaign. Symbols, a stick man and lettering are drawn directly on 35mm film stock and synchronized with a brass band rendition of Sousa's march "The Thunderer."
The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.
Beirut – or indeed maybe any city, anywhere – is at war with itself. Here, no conflict is ever resolved, and no wall is ever repaired. The explosions resonate better in this city full of holes. Young men who live here are caught between military service and religious affiliation. I visit some friends, gather their suicidal testaments. No one goes anywhere. I cross my city in every way possible, day and night. 16mm
When war is declared in 1914, glamorous Russian Carla Vanirska manages to get to Vienna from Luxembourg, with the help of Captain Rudolph Ritter of the Austrian army. Meanwhile, Ritter is assigned to detect the identity of a spy.
Prior to the United States' involvement in World War II, the masked vigilante Spy Smasher fights Nazi agents operating within the US, led by the treacherous sabotage leader codenamed The Mask.
Set at the turn of the 20th century during the Filipino revolution against the Spaniards and, later, the American colonizers, it follows a naive peasant through his leap of faith to become a member of an imagined community.
The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.
An early example of the Japanese war film, closer to documentary realism than the kind of propaganda produced at the height of the Pacific War. "A company commander calls on five men. They are to reconnoiter, but on their way they are attacked. Only four of them return. While his companions mourn the fifth straggles back. Soon after comes the order to move out for a general attack. The men know that this time there will be no returning." (Donald Richie)
During World War II three best friends are mobilized into the Waffen-SS Latvian Legion. Years later their fates continue to intertwine, as memories of war loom in back of their minds.
Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.
A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
Occupied Yugoslavia. With organised resistance shattered by the Nazi onslaught it is only the activity of small guerrilla bands that bring fresh hope to the people. But quislings and infiltrators are everywhere – and trusting the wrong person could easily get you killed...