The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.
The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.
The story of the Great War told from a unique new aerial perspective. Featuring two remarkable historical finds, including a piece of archive footage filmed from an airship in summer 1919, capturing the trenches and battlefields in a way that has rarely been seen before. It also features aerial photographs taken by First World War pilots - developed for the first time in over ninety years - that show not only the devastation inflicted during the fighting, but also quirks and human stories visible only from above.
Scotland, 1745. After decades of exile, Prince Charles Edward Stuart secretly lands with the purpose of revolting the Highland chieftains against the German House of Hanover, ruler of Great Britain.
A boy from Leningrad has his world turned upside down by his parent's separation and World War II. He leaves town amidst the fighting and returns to find a friend in his step-brother. The war is seen through the eyes of children and told in flashback form. The film was a special prize winner at the Venice Film Festival.
During World War II in the Netherlands, resistance-leader Arie is shot by the Dutch SS-man Niels. Arie's comrades pledge to avenge his death. 35 years later one of them, Ab, is confronted with Niels again. He decides to round up his old friends to kill him. He finds out though, that they think this is useless or are not capable of doing so anymore. Only the former communist Gerben has not forgotten his pledge and is talked into joining the execution.
In 1950, long after the world has finished fighting World War II, a fight continues behind the newly drawn Iron Curtain: as the Ukrainians keep fighting both Nazi and Soviet abuses, General Roman Shukhevych (Hryhoriy Hladiy) is forced by brutal circumstances and his own sense of honor and duty to lead this effort as an underground war. As portrayed by the film, Shukhevych is a genteel family man who is also a complex character (revolted by ethnic discrimination, a music lover and a military genius) that with his charisma fuels his countrymen with desire for freedom. In the end, Shukhevych's efforts are unable to defeat the Soviets despite paying for his resistance with his life, but they re-enforce Ukrainian patriotism as an underground force until Ukraine finally recovers its freedom from Soviet tyranny.
In the winter of 1943 two young Jews, Alek and Fryda, escape, via sewer tunnels, from the atrocities underway in Warsaw ghetto. Alek, entrusted with undeveloped photos of the horrors within, makes his way to a supposedly safe apartment only to find it occupied by Germans. Another tenant, a pole Stephania, abruptly offers to shelter him in her spacious apartment. She comforts him and they make love that very night. Stefania is uncommonly generous and willing to jeopardize her own safety by hiding a Jew. She even goes to a nearby church and rescues Fryda. But Fryda is ungrateful and proceeds to sabotage the trio's safety in insidious ways.
Lieutenant Karl von Stein (Petros Fyssoun) is serving in Greece as an enlightenment officer for the German occupation troops, and lives in the house of Professor Victor Kastriotis (Manos Katrakis) seized by the Germans. There he meets Lisa (Elli Fotiou), a young girl who appears as the professor’s niece, when in fact she is of Jewish descent. The two youths fall in love and are preparing to get married when Karl learns the truth... The film represented Greece at the 1965 Cannes Film Festival and won the Special Prize of the Soviet Peace Committee at the Moscow International Film Festival that same year.
Two brothers, Jack and Tom, are in love with the same woman, Molly. While the two brothers go off to war and Molly does her part in the effort, Tom believes that Rose is waiting for him, while in fact, she loves Jack and only turned to Tom on the rebound. Jack and Molly meet while he is on leave, and when he returns to battle, he doesn't know how to handle the situation with his brother.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.
The stubborn resistance of the Boers is shown by the activity and persistency with which they fire the two large field pieces immediately in the foreground. It seems, indeed, a hopeless matter to attempt to capture and overthrow such an invulnerable position. The British lancers are seen advancing, urged on by their officers, with the Royal colors flying in the air.
The Filipinos execute a flank movement and re-occupy the trenches, cutting off the advance guard of Americans. The rebel flag waves over the ditch and they defend their positions bravely. A fierce charge by our soldiers makes them give way and they scatter in all directions. The officer in command pays dearly for his desperate sortie.