Heroes of Pearl Harbor reveal their story of the surprise Japanese attack that blindsided the American people, and rerouted the course of World War II.
The film uses Chinese actors to play the Japanese protagonist, uses Chinese perspectives to criticize Yamato’s militarism, and is filmed by a Taiwanese director born after the war. The story of the Japanese imperial army during World War II is a prominent feature in the history of Chinese cinema. Try. Although the creative ambition of the director Zhou Teng affected the overall performance of the film because of his wishful thinking on the theme and handling, his efforts in exploring new themes and the rigorous production attitude are still worthy of recognition.
When Mamhoud is invited to a conference to speak about his new war novel, 'Parental farm,' his aim to discuss war literature in general turns into a much more personal journey. Having lost ...
This cartoon was featured as part of the U.S. military's "Army-Navy Screen Magazine, No. 60", issued in September 1945.
The Servicemen's Readjustment Act of 1944, commonly known as the G.I. Bill, was a law that provided a range of benefits for returning World War II veteran.
Even after ten years, Lieutenant Morteza Rashed still has nightmares of corpses and dolls floating around after the fall of the Airbus plane by those who served aboard USS Vincennes at 1988. He has been holding a grudge towards them ever since they attacked this plane, and is always looking for an opportunity to take revenge...
What if you lived by the sea, and one day you stopped hearing the sound of the waves? What would you do then? That's the question posed by Saman Salur in 'Thirteen 59', an introspective study of the psychological side of war. A chief commander in the Iranian army wakes up from a coma years after the war in which he fought has ended. Unable to define himself by the conflict anymore, he struggles to move on from what he has always known and find the peace within himself. Habit is the hardest addiction to kick.
After the events of The African Queen (1951), Charlie and Rose are recaptured by the Germans and forced to tug one of their big cannons that could bring the Nazis victory against the local Allied forces.
The world is an enduring war theatre. Perhaps because it’s a men’s world? When cast in such a set women try to play out all their means, even performing a sad joy division or bowing down like a poor little thing. This in spite of being a fierce partisan or a tactical guerrilla expert. The world is either a repeating making up of the same actions, as in the movements necessary for the make-up moment, every single day. Persisting like a waterproof mascara – but will it alike prove itself bulletproof too? I guess no, a mascara can only be more or less dramatic. Like in a recrudescing war against more natural habits, occurring at large in the world theatre.
While World War II allied officer Jack Rowe is held prisoner in Germany's notorious
Colditz castle, he recruits a band of fellow escape artists in the ultimate break-out
only to discover that the greatest betrayal awaits him on safe ground.
The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.