A military unit freed a soldier from captivity. It turned out that his fiancee serves as a nurse in this unit. But the soldier, whose face was disfigured by the Nazis, didn't dare to meet her.
Upon becoming Prince Regent, the bellicose Lord Biu of Wu sends commander-general Si Ching-wan to rage wars between the Zhao and Chen Kingdoms. A small state that is long on literary excellence but short on military might, Chen is defenceless against the invading forces. The compassionate general answers the pleading of the Chen princess, Fung-ming, to sign a treaty of peace. In his speech to the lord, Deputy General Lau Mo-yeung accuses Si of treason so as to lay claim to Chen. The lord dispatches the valiant fighter Lui Chen-sing to Chen on an assassination mission, but the assassin is vanquished. Si prevails on Lui of his patriotism. Lord Biu fights Chen. In a dire attempt to redeem Chen, Si surrenders to the Wu camp. Lui pretends to have blinded Si to extricate him. The duo ally with a band of chivalrous fighters to overturn the corrupt regime. Dispossessed of his throne, Biu commits suicide. Si returns to his land to serve as an aide to the young king and marry Fung-ming.
In Belleau Wood, France, during the Great War, a soldier named John writes a letter home to his wife Sara in Milwaukee. He writes that her picture "helps me remember what it was like to be me." He tells her about sorties into No Man's Land, and that they have orders tonight to charge. Then, his letter becomes a report of that charge: toward an armed German soldier who doesn't fire, even when John reaches him and jumps into the trench beside him. What happens next brings silence and an end to the letter.
War rages in an undefined country. We get to follow three soldiers, who team up driving an armored tank. However, the vehicle keeps breaking down, and ammo is running short, the fighters' morale gets lower and lower and the situation degenerates.
Rashomon-like look at the atomic bombing of Nagasaki on August 10, 1945. Features color footage of the bomb's aftermath shown in public for the first time in over fifty years. The film features extremely rare footage of the atomic bombing, both black-and-white and color.
The first Iraqi film influenced by the Italian neorealism film movement, characterized by stories set amongst the poor and the working class. The plot revolves around a devoted husband deeply in love with his ailing wife, rushing her to the hospital in the late hours of the night. Seeking urgent medical attention, he pleads with the on-call doctor to treat her. However, faced with a negative response from the doctor, the husband, overcome with anger and desperation, unleashes a furious attack, tragically leading to the doctor's demise.
The sequel to the 2014 ISIS propaganda film "Flames of War", depicting the organization's operations in Syria and Iraq as well as Egypt after the group's loss of Mosul and Raqqa.
This feature documentary follow 5 architects on their determined journeys to continue building during wartime, as they seek a new people-focused identity for Ukrainian architecture. While Russia continues to turn former Ukrainian cities to dust, Ukraine’s leading architects are already building upwards & advanced new buildings are rising again as symbols of hope.
Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.
Guernika, year 1937. The city is savagely bombed from the air by a battalion of fascist troops. During the bombardment, Republican artillery shoots down an Italian plane. The pilot manages to parachute very close to a village inhabited by three women. Badly wounded on the ground, he is going to be finished off by one of them, Ikerne. This one, however, feels disturbed by the man's presence, and in a purely impulsive act she decides to take him to the house's barn. The presence of the man in the house reveals the lethargic desire of the three women. But it will also bring out the small conflicts and contradictions that the harsh survival conditions in the house have generated. The solution finds its way between desire for man and hatred for the enemy.