A timid officer worker becomes both pariah and Pied Piper when she unleashes her confessional, scathingly honest pop compositions upon friends and co-workers, in this hilarious comedy from Vancouver’s Kris Elgstrand (Doppelgänger Paul).
Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote's poetic music and lyrics
When Martin Luxford leaves jail, he decides to form a swing band, having been taught to play the saxophone by his cellmate Jack. Returning to his native Liverpool, Martin pulls together a backing band of misfits and loners, and recruits his ex-girlfriend Joan as a singer. Things are complicated somewhat by the fact that Joan is now married to the policeman who arrested Martin, and when the band's first gig - at a heavy metal pub - goes badly, it seems as though the road to musical success may be a rocky one.
Eighteen years in the making, two-headed cow started off as a black and white film that followed Dexter Romweber and his drummer Crow on a rock and roll tour along the same route as General Sherman. The film was not finished due to many circumstances, but the filmmakers were able to resume the film seventeen years later. After major TV appearances, a stint on a major label, bouts of depression and drug addiction, the film took on a different tone and poignancy.
Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland
In the slums of Cairo, youth dancing to electro chaabi, new music that blends folk song, electro beats and freestyles chanted in the style of rap. The idea is to merge the sounds and styles so chaotic. One slogan mangling! Victim of corruption and social segregation, youth in neighborhoods exorcise partying. Release of body and a speech repressed transgression religious taboos: more than just a musical phenomenon, Electro Chaabi is a healthy outlet for youth oppressed by the prohibitions imposed.
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.
This Is Mariah Carey, filmed at the legendary Proctors Theatre in upstate New York, showcases Mariah's incredible gifts as a world-class and riveting performer. Interwoven with charming home footage, the film includes ten of Carey's greatest hits,such as "Vision Of Love," "Emotions," "Dreamlover" and her first ever live performance of "Hero."
While the studio recordings of Chicago's Jesus Lizard are part of the canon of 90s indie rock, anyone who saw them knows their reputation as the live band of that era is completely accurate. This film captures the original quartet in 1994 playing to a packed and frenzied crowd at the Venus de Milo in Boston. The band's workman like approach to their taunt, pummeling sound is contrasted by front man David Yow's Dionysian revelry as he whips himself and the crowd into an ecstatic mess. This 2-camera shoot catches all the blood, spit and sweat of a truly killer live band at their peak.
With a hugely successful career stretching back into the fifties, James Last has proved himself to be one of the greatest entertainers in the world of music. The James Last Orchestra is the most successful big band in chart history and they have sold in excess of 50 million albums worldwide. This spectacular show was filmed in high definition at London's Royal Albert Hall on James Last's 2007 tour and captures the James Last Orchestra at the top of their game in front of a wildly enthusiastic sold out crowd who fervently believe in audience participation.
This is an extremely rare example of science fiction, Hong Kong style, but, fittingly, it's unlike any sci-fi flick you've ever seen. Alien abductions, suicide pacts, superstardom, and the reality of science fiction itself is spotlighted in this bright, crazy, truly out of this world epic -- one of the more unusual movies in the Hong Kong cinema of the early 1980s. And if you know 80's Hong Kong cinema at all, you know that's really saying something!
With four incredible performances at the legendary Montreux Music Festival to his name to date, legendary bluesman Otis Rush offers a memorable look at just how it all began in this release of the 1986 performance that started it all. In addition to memorable appearances by Eric Clapton and Luther Allison, Rush and company offer thirteen rousing blues hits including "Gambler's Blues", "Lonely Man", "Mean Old World", and "Right Place, Wrong Time". Tracklist: Tops [6:22] I Wonder Why (Will My Man Be Home Tonight) [7:15] Lonely Man [4:48] Gambler's Blues [9:40] Natural Ball [5:33] Right Place, Wrong Time [6:35] Mean Old World [5:52] You Don't Love Me [3:52] Crosscut Saw [8:25] Double Trouble [5:32] All Your Love (I Miss Loving) [7:53] Every Day I Have the Blues [10:00] If I Had Any Sense, I'd Go Back Home [6:51] INFO: DVD 9 ENG PAL Region 0 4:3 Screen Format DTS + Dolby Surround 5.1 + PCM Stereo
1. Intro 2. From The Inside 3. Serious 4. Nurse Rosetta 5. The Quiet Room 6. I Never Cry 7. Devil's Food 8. Welcome To My Nightmare 9. Billion Dollar Babies 10. Only Women Bleed 11. No More Mr. Nice Guy 12. I'm Eighteen 13. The Black Widow 14. Wish I Was Born In Beverly Hills 15. Ballad Of Dwight Fry 16. Go To Hell 17. How You Gonna See Me Now 18. Inmates (We're All Crazy) 19. School's Out The Strange Case of Alice Cooper is a must watch for any Cooper fan... a man in the prime of his career doing what he did best, entertaining kids and scaring parents.
I Just Wasn't Made for These Times is a documentary about the life of Brian Wilson, the musical mastermind and songwriter for the Beach Boys. The film examines the ups and downs of Wilson's life, including the early years of the Beach Boys, his years of substance abuse, and his long road to recovery.
Legendary Irish guitarist Rory Gallagher played the renowned Montreux Festival on five occasions spanning his breakthrough years in the mid seventies right up to the year before his tragic early death at the age of 47 in 1995
Prolific and popular since the 1970s, the band members of the Chieftains -- Derek Bell, Kevin Conneff, Martin Fay, Sean Keane, Matt Molloy, and Paddy Moloney -- talk about what Irish music means to them, what inspired them in the past, and what continues to motivate them.