The movie is about five American commandos who must trek across the North African desert, then blow up a German underground facility where a special kind of explosive is under development.
This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.
In Yugoslavia during WWII, a small band of courageous commandoes are sent to kidnap an important German commander in exchange for an American general being held in a German fortress.
Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.
After the end of WW2 a blonde boy arrives at an orphanage made for the children of Partizans or people being killed in the war. The headmaster knows that the boy's parents were Nazis but conceals that fact from others, fearing violence by vengeful children. He invents the boy's life story, but the other children get suspicious.
This is a movie about a local resistance group and its leader Gunvald Tomstad, in the southern part of Norway. Gunvald takes on a heavy burden as he pretends to be a devoted Hitlerjugend-leader and soon he becomes a trusted friend of the German occupants.
In December of 1944, Lionel Evans, an internationally renowned American conductor, is on a USO tour with his 70-piece symphony orchestra in newly-liberated Belgium. While fleeing from a German counterattack, Evans and his orchestra members are captured by a Panzer division and taken to an old chateau in Luxembourg. Despite orders to execute every prisoner, General Schiller, an avid music lover, commands Evans to give a private concert for him.
A portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up back where he started.
During the Battle of the Bulge, word goes out to watch for German soldiers dressed as GIs. That's when black sergeant Chris Christiansen begins wondering if the GI who befriended him is really a friend--or the enemy.
A hidden gem produced at the height of the Hong Kong left-wing cinema. The Japanese army wants to force resistance leader Cheung (Bow Fong) to appear by capturing his family. Cheung's wife dies and, despite the protection by the nurse Yeung (Chu Hung) and other villagers, Cheung's daughter is captured. In the end Cheung's subordinate Lee Fu (Jiang Han) regroups with the resistance and saves the day, defeating the enemy and rescuing everyone. This film clearly references wartime productions in the mainland of China, with elements such as the Japanese taking hostages, resistance guerilla fighters, and the contrast between ‘heroes' and ‘villains' made obvious through camerawork and make-up designs. Street scenes shot in Macau merge seamlessly with studio scenes to recreate northern Chinese towns. War epics were not a strong suit of Hong Kong cinema. This film takes inspirations from Euro-American spy films and pays attention to character development and the mise-en-scène.
An episode from the war in 1806 when a small troop of Prussian soldiers digs in at a mill in order to defend itself against the overwhelming advance of the French army.