In this illuminating study of cultural contrasts, American filmmaker Lynne Sachs and her sister, Dana, travel north from Ho Chi Minh City to Hanoi, recording conversations with Vietnamese strangers and friends. The sisters' expansive travel diary covers tourism, insights into city life, pervasive culture clashes and a bracing historic inquiry. What begins as a picaresque road trip soon blossoms into a richer social and political discourse.
Shortly after the Gulf War, oil fires were raging all through Kuwait. In the week before this sea of fire would be extinguished, Werner Herzog filmed this apocalyptic landscape with its murky skies, scorched earth and capricious flames.
The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey
A documentary about neighborhood people creating change. Produced for the MacArthur Foundation by Kartemquin Films, this piece features six vignettes on community organizing in different Chicago neighborhoods: LeClaire Courts, Marquette Park, Roseland, Pilsen, Uptown, Rogers Park and Garfield Park.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Documentary film about the anti-war movement in the Madison, Wisconsin area during the time of the Vietnam War. It combines archival footage and interviews with participants that explore the events of the period on the University of Wisconsin–Madison campus.
Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.
Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
This is a distinctive example of a documentary film revealing the disparity between the official gender discourse and the social reality of the Polish female.