A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents a single cycle of a commercial dryer. The film transforms a mundane chore into a hypnotic study of Zen philosophy, industrial texture, and the nature of suffering. Featuring a relentless vocal soundscape, the work asks the viewer to stare at the rotation until the noise becomes a mantra.
Ratty: The Downfall of NYC Rats, is an observational documentary giving a voice to the intriguing yet terrifying furry rodents of New York City. Ratty uses street interviews, archival footage, and interviews with organizations such as SenesTech, Positive Pest Management, and PETA to answer the question: How are we alleviating the problem? Does the solution lie in the hands of the people, or City Hall and Sanitation? The whimsical caricature of a Brooklyn rat, played by El Gabriel Gomez, provides a lighthearted transition between interviews. Will the launch of rat birth control be the solution, or another attempt at control that will fail?
English pop punk band Senseless Things formed in 1986 London; they released four studio albums and achieved two UK Top 20 hit singles before splitting up in 1995. They reformed in 2017 to play several gigs including Shepherd's Bush Empire. While the audio from the night was recorded, the concert itself was never officially filmed. However, much was captured by fans on mobile phones and handheld cameras, which has now been deftly and impressively sewn together to form a seamless film. The record of that night has been lovingly interspersed with historical and never-seen-before personal footage owned by band.
The Park Theater was once a famous icon within Hudson County, New Jersey and a powerful singularity for the local arts. From the likes of George Carlin to Run DMC, The Park has housed a revolving door of talent over the decades but it is now faced with its greatest foe: the ambivalence of time.
Just 0.2 seconds after a sound wave reaches the cochlea, the brain interprets the vibrations as a sound with unique qualities of distance, direction and speed. The emotions and meanings we attach to each sound are subjective.
Travelling the French Alps at 17 while coming to terms with losing my dad. Exploring ideas of faith through difficult situations, and how bad times can bring out the good in our lives, documenting the journey after losing a parent to cancer and the importance of art and creativity in our lives. Using "The New Life" as a new way of defining grief, serving as the name given to the life we are forced to live after losing a loved one, and a christian name given to Heaven. It’s the similarity in all of our lives and the life that we go out of our way to live, in search of experiences, after it feels like all hope is lost. Why do we fall? It does, in fact, get better.
Storage spaces are strange half-way points, full of pieces of different people, conflated. A place to meet a past on borrowed time, a place that swallows all the old versions of you and slowly digests them with dust. It becomes unclear which parts of this archive belong to you and what has folded into someone else. Indistinguishable forms and masses with a name on them, some sunbleached or broken, hold moments that you were only a partial witness to.
Between notes and photographs from a baby album, this short film investigates what lies outside the frame. Starting from the director's mother's written records and childhood images in which her presence appears only in fragments — a hand holding, an arm supporting, a shadow on the edge — the film proposes a reflection on absence and the traces left in the visual narratives of family life. By weaving together facts and fabrication, the work reveals how family albums function not only as repositories of memory, but also as coming-of-age stories, full of choices, silences, and inventions. Between delicacy and humor, the film questions who appears and who is erased in these stories, exploring the invisibility of care work and its discreet permanence in the materiality of photography.