For more than 50 years, we’ve been unsuccessfully searching for any evidence of intelligent extraterrestrial life. But, the discovery of thousands of exoplanets has meant the hope of finding them is higher than ever. If any messages could eventually be decoded and answered in any far, far away star, it could radically transform our consciousness as species and our place in the universe. A message from the stars changes life on Earth… forever.
In this quintessential film about the Muslim-American immigrant experience, Mayor Mohamed Khairullah risks his life to bring humanitarian relief into Syria while simultaneously fighting the forces of Islamophobia in the United States. When a conservative local politician in his small New Jersey town runs a campaign to unseat him as mayor, his own political survival, and a particular view of what it means to be American, is on the line.
Real Haunts: Ghost Towns reveals the secrets of America's most fascinating ghost towns with "The Beard of Knowledge", the residents and a family of ghost hunters.
A campaign team travels to Minnesota to lend support and hold elected officials accountable. They never quit asking people to be better and for the system to change, and change it does.
Home to one of the region’s largest law enforcement education program, students at Horizon High School in El Paso train to become police officers and Border Patrol agents as they discover the realities of their dream jobs may be at odds with the truths and people they hold most dear.
Despite the loneliness he experiences living in New York, Miguel remains resiliently motivated to help the family he hasn’t seen in 13 years. Combining dreamlike depictions of Miguels memories of his childhood in Oaxaca, Mexico with his everyday experience as a migrant worker, THE TIME OF THE FIREFLIES is a poignant depiction of the sacrifice many are forced to make in order to support their families.
Algren will spotlight the hard-knock life and authentic creative legacy of one of the most underrated writers of the twentieth century, Nelson Algren. Algren's brutally honest portrayal of the American underclass and his hard-nosed lifestyle became his pathway to compassion. Through interviews with Algren contemporaries, experts, and "literary soulmates," as well as through the photography of Algren's friends, Art Shay and Stephen Deutch, the film will tell his story. It will celebrate his tremendous contribution to and influence on American letters, and push Algren, champion of the marginalized, out from the margins.
My Garden of a Thousand Bees follows wildlife filmmaker Martin Dohrn, who turns his lenses on the surprising and spectacular bees living in his own urban garden in Bristol, England.
In Russia, love, sex and family are personal matters. But increasingly, they are also political ones: Putin himself is a vocal proponent of patriarchy and large families. This is especially challenging for women, young people and the LGBTQIA community. Through a steady dose of propaganda, the state is attempting to reinforce outdated gender roles - in part, to combat the country's shrinking population. But the majority of Russian marriages fail. The most common causes include the husband's alcoholism, domestic violence or infidelity. Yet single mothers receive little support, protection, or even recognition from the state. The LGBTQIA community, or couples who do not fit into the "traditional" family model, face stigmatization and violence. But there are pockets of resistance. In Moscow, for example, a small group of young people is organizing a sexual revolution of sorts. Their goal? To break free of both the Christian Orthodox Church and the Russian state’s rigid dogmas.
Drawn from a newly discovered archive of 16mm film showing Tom Petty at work on his 1994 record Wildflowers, considered by many including Rolling Stone to be his greatest album ever, Somewhere You Feel Free is an intimate view of a musical icon.
The life and legacy of Helen Keller, including how she used her celebrity to advocate for human rights and social justice for women, the poor and people with disabilities.
70-foot Sharks with teeth like shovel blades and fins the size of huge sails. A whaler's harpoon would bounce off Megalodon like a toothpick. Explore Mega!
Coming attractions from 25 of everyone's favorite sci-fi UFO films from the 50s. Plus, there are stills, posters, and lobby cards, along with production facts and behind-the-scenes stories.
In "We'll always have Paris," the Eifel Tower, Champs-Élysées, magnificent fountains, and trimmed hedges stand as faux French in the hazy rain of Tianducheng. The residential complex located in the suburbs of the Chinese megapolis Hangzhou is one of the countless, largely unpopulated pop-up sites that sprung up overnight through high-speed real-estate speculation. In Raidel’s film, the Eifel Tower is the anti-gravity center of a phantom zone furnished with stark high-rises, parking areas, and gardens—an urban proposition that amounts to nothing.
After the pandemic separates them, an international couple writes long-distance letters to each other while they face uncertainty and wait to be reunited.
They called it young black kids’ punk rock - a genre that radio stations wouldn’t play and records that labels refused to sell. But grime would not be stopped. With machine-gun lyrics that shred the eardrums and syncopated electronics that pound the chest like a sledgehammer, grime was a product of social unrest, urban culture and disenfranchised youth colliding in early 2000s UK. It didn’t just rouse a grassroots audience, however. Today, grime is surging in popularity all over the globe and widely influencing the music charts. This is the story of the genre’s roots.
FREE RENTY tells the story of Tamara Lanier, an African American woman determined to force Harvard University to cede possession of daguerreotypes of her great-great-great grandfather, an enslaved man named Renty. The daguerreotypes were commissioned in 1850 by a Harvard professor to "prove" the superiority of the white race. The images remain emblematic of America’s failure to acknowledge the cruelty of slavery, the racist science that supported it and the white supremacy that continues to infect our society today. The film focuses on Lanier and tracks her lawsuit against Harvard, and features attorney Benjamin Crump, author Ta-Nehisi Coates and scholars Ariella Azoulay and Tina Campt.
Jin scowls into the camera when her sister – the filmmaker – asks about her earliest memories. No wonder: these memories are anything but pleasant. Jin was born in the 1990s, during China’s one-child policy. It was normal then for unborn girls to be aborted – right up to the last month of a pregnancy, because boys were preferred. Living babies were also ruthlessly dumped in the garbage, or in the woods. Jin survived for a week in a box on the streets.