On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.
One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.
For one extraordinary week in February 1972, the Revolution WAS televised. DAYTIME REVOLUTION takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at that time the most popular show on daytime television, with a national audience of 40 million viewers each week. What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas gamely keeping the show on track.
On September 22, 1975, 45-year-old Sara Jane Moore took a revolver out of her purse and fired two shots at President Gerald Ford on a crowded sidewalk in San Francisco’s Union Square. This failed political assassination was destined to become a strange historical footnote, yet Moore is revealed as an extraordinary subject in this expansive, fascinating new documentary by the protean Robinson Devor (The Woman Chaser, NYFF37). Having served more than 30 years of a life prison sentence, Moore tells her own story, from FBI informant to would-be assassin, all of which Devor dramatizes against the backdrop of the era’s prevalent political unrest and militancy, of Attica, the Black Panthers, the U.S.-backed Chilean coup, and the Symbionese Liberation Army. A pugnacious and unapologetic interview subject, Moore holds the center of a fleet and compelling nonfiction drama with the feel of a 1970s thriller.
Behind the Bucket is a documentary following members of the 501st Legion--Star Wars Enthusiasts--showing how they are much more than adults playing dress-up. The 501st are compassionate, charitable, and down to earth people doing what's right for those in need. There's a reason why their motto is "Bad Guys Doing Good".
FRONTLINE investigates the lives and views of Sen. JD Vance and Gov. Tim Walz as they run for vice president. Drawing on interviews with those who know Vance and Walz well — friends, advisors, journalists and political insiders — the documentary traces how these two men from the middle of America found their opposing political voices and explores the ideas and influences they would bring to the White House.
Father Edward J. Flanagan is a familiar name to many Americans, often for the Oscar-winning 1938 film starring Spencer Tracy about Flanagan’s groundbreaking child welfare organization. But the story extends far beyond that, to a man whose name and legacy are still well-known as far as Germany and Japan. Flanagan gained influence and admiration over the course of his life from Presidents, CEOs, celebrities and more, but none mattered more to him than that of the children for whom he tirelessly worked. A sobering reminder of this was during WWII, as Flanagan saw droves of former Boys Town citizens go off to war. In fact, so many former Boys Town boys named Flanagan as their next of kin that the American War Dads Association named him as America’s No. 1 War Dad.
Exploring the transformative impact of artificial intelligence in an industry of imagination, “ARTIFICIAL: Media Production in an Age of AI” delves into how AI tools are currently revolutionizing various stages of media production and examines the balance between technological advancement and human creativity, attempting to spark conversation about the future of storytelling in an age of progress. It also addresses the possibility of government regulation and the broader ethical concerns implicit in the immense capabilities of AI technology. The documentary integrates extensive research, survey results, and insightful interviews with industry professionals.
A secret museum in an art hotel sparks intrigue when it's revealed to be a creation of controversial artist, Banksy. Using art as a form of political resistance, the hotel highlights the reality of life under Israeli military occupation. The film journeys through the hotel, Palestine, and a relevant past to dismantle the mainstream media's bias towards the Palestinian struggle for freedom and equality.
This extraterrestrial documentary explores the alien phenomena. UFOs. Who is flying them? Where they coming from? And more importantly, WHY ARE THEY HERE?
“an experimental documentary shot in Lebanon from 2019 to 2021 dealing with issues of dislocation, points of view and memory. Through the position of ‘peripheral vision’, which I practice as an observer, Detours builds a narrative of sensory impressions, orientations, alienated images, images that remain outside of the frame. The work is not a documentation or analysis of current policies and turbulent events but an experience of disorientations within them. The film was shot using Super 8, still analog cameras, digital cameras and various lenses.” - Vida Guzmić.
Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
Elementary school teacher and pro athlete Omari Cato uses his knowledge of BMX Flatland to encourage the next generation to keep the sport from extinction.
Silver Servers tells the story of four ’Super Senior’ tennis players in their 80s and 90s — one of them the oldest living player in the world — as they prepare for the International Tennis Federation Senior World Championships; on their remarkable journey, they show us what drives them to keep on playing and competing, helping us realise what is possible in our own lives, whatever our age... and the joy in keeping on going. Tennis is the sport, but the game is life.
The American Vice President explores the little-known story of the second-highest office in the land, tracing its evolution from a constitutional afterthought to a position of political consequence. Focusing on the fraught period between 1963 and 1974, when a grief-stricken and then scandal-plagued America was forced to clarify the role of the vice president, the film examines the passage and first uses of the 25th Amendment and offers a fresh and surprising perspective on succession in the executive branch.
A quest for redemption is unfolding in Washington, D.C. Thanks to forward-looking “Second Chance” legislation, three men who were sentenced in their youth to life in prison have the chance to plead for release.
Delve into the enigmatic world of Mexican director Juan F. Moctezuma II, whose cinematic journey spanned from 1959 to 1977. This documentary examines his unique films, revealing the innovative storytelling and bold themes that defined his work. As the narrative unfolds, it investigates the mystery surrounding his disappearance, coinciding with the completion of his final film, 1000 Paths of Death.
Do we belong to a place, or does a place belong to us? Like a skein that unravels, this question unfolds the essayistic thread of the film, going through a series of relationships, from the link between Tzotzil women and nature to a reflection on one's work as a documentary filmmaker.