A documentary chronicling the rise of art as a response to political change that defined the 1980s. A mixed media documentary incorporating art, music, animation, and spoken work Let Fury Have the Hour is told through the voices of the artists of the day.
Trashed - looks at the risks to the food chain and the environment through pollution of our air, land and sea by waste. The film reveals surprising truths about very immediate and potent dangers to our health. It is a global conversation from Iceland to Indonesia between the film star Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by waste pollution. Visually and emotionally the film is both horrific and beautiful: an interplay of human interest and political wake-up call. But it ends on a message of hope: showing how the risks to our survival can easily be averted through sustainable approaches that provide far more employment than the current 'waste industry.'
“12-12-12” was a fundraising concert to aid the victims of Hurricane Sandy, it took place on December 12, 2012 at Madison Square Garden. The concert featured Bon Jovi, Eric Clapton, Dave Grohl, Billy Joel, Alicia Keys, Chris Martin (featuring Michael Stipe), The Rolling Stones, Bruce Springsteen & the E Street Band, Eddie Vedder, Roger Waters, Kanye West, The Who, Paul McCartney (featuring Nirvana) as well as other artists.
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
Los Angeles' Skid Row is home to one of the largest homeless populations in the United States. And we found, inside that community, the remarkable and enormously moving stories of Olympic athletes, Harvard attorneys, accomplished musicians, scholars. We found poverty, drugs and mental illness, of course - but more importantly we found life, hope and incredibly powerful human journeys.
The extraordinary story of 'Radioman', a New York film set mascot who overcame homelessness and alcoholism to become a fixture of the New York film industry, with over 100 small parts to his name.
When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.
Now as an international sensation, Lady Gaga’s music reflects what she’s been through. She wants everyone to embrace their inner freak, and she lovingly calls her fans her “little monsters.” Lady Gaga is the hardest working pop star out there, and it shows. Other pop stars are taking note and stepping up their own game, but Lady Gaga has set a high standard and she has no plans to slow down.
This films takes you to the very heart of War. With the help of immaculately researched archival performance and interview footage. War is here deconstructed and analysed by a dedicated team of critics and insiders. Expert insight include those of Chas De Whalley; A&R man through U2's early years, plus with the unparalleled knowledge of Mick Wall and BP Fallon; two veterans cum journalists cum music authors with a pedigree in the industry second to none. All these elements come together to make this the truly comprehensive review of one of U2's greatest albums.
A raw and candid dialogue about the life and craft of acting between longtime colleagues and friends Dabney Coleman, Peter Falk, Charles Grodin, Mark Rydell, Harry Dean Stanton and Sydney Pollack. Drago Sumonja's document takes us into the hearts, minds, and living rooms of some of America's greatest storytellers.
The Fruit Hunters explores the little known subculture and history of rare fruit hunters who travel the globe in an obsessive search for the exotic, in this stylish and sometimes erotic documentary.
When filmmaker Kathy Leichter moved back into her childhood home after her mother's suicide, she discovered a hidden box of audiotapes. Sixteen years passed before she had the courage to delve into this trove, unearthing details that her mother had recorded about every aspect of her life from the challenges of her marriage to a State Senator, to her son’s estrangement, to her struggles with bipolar disorder. HERE ONE DAY is a visually arresting, emotionally candid film about a woman coping with mental illness, her relationships with her family, and the ripple effects of her suicide on those she loved.
Kirsty Sword Gusmão went to Timor-Leste to document injustice in an area closed to Western journalists. Over the next decade, she became the lynchpin that sustained the nation’s harrowing struggle for independence and met the man who would redefine the cause for which she was fighting. Using astonishing footage of the years-long resistance, director Alex Meillier presents a highly personal account of the courage needed to create a new democracy in modern times.
An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.
A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.