This film looks back at the twisted world of hate, fear, sexual transgression and mind-control of one of the world's most notorious villain's, Charles Manson. He once had dreams of a Hollywood recording career. Fame was elusive, so he chose infamy. This is the story of how one man transformed a harmless group of hippies into a gang of brutal murderers. What evil lurked in this strange man's heart?
Linda Kasabian, Charles Manson follower and former 'Family' member details her life at the Ranch and the final days leading up to the grisly 1969 Tate/La Bianca murders.
Emily Hagins is making a zombie movie. It's feature-length, it's bloody, and the zombies don't run. Just like it should be. But there's just one difference between her film and every other zombie movie you've ever seen. Emily is twelve.
The true story of the Wayana people, French Indians of Amazonia who are cursed by living in a region rich in gold. Consequently, the uncontrolled exploitation of this wealth has brought about a severe deterioration of the forest's ecosystem, the irreversible pollution of streams, as well as countless violations of fundamental human rights. This film not only shows the despair of the Amerindians but also their awareness of the problem and how they are trying to cope with their survival. A documentary which gives a human face to a contemporary tragedy which concerns all of us.
Capturing political theater at its most basic level, this documentary recounts the Democratic Party's stunning takeover of the U.S. House of Representatives in the 2006 elections, inspired by the aggressive tactics of strategist Rahm Emmanuel.
BREATH MADE VISIBLE is the first feature length film about the life and career of Anna Halprin, the American dance pioneer who has helped redefine our notion of modern art with her belief in dance's power to teach, heal, and transform at all ages of life. This cinematic portrait blends recent interviews with counterparts such as the late Merce Cunningham, archival footage, including her establishment of the first multiracial dance company in the U.S., and excerpts of current performances such as "Parades and Changes" at the Georges Pompidou Center in Paris, to weave a stunning, inspiring account of one of the most important cultural icons in modern dance.
Short-listed as one of the 15 best documentaries of the year, Mugabe And The White African is the story of one family's astonishing bravery as they fight to protect their property, their livelihood and their country. Mike Campbell is one of the few white farmers left in Zimbabwe since its leader, Robert Mugabe, enacted his disastrous land redistribution program. Once the breadbasket of Africa, Zimbabwe has since spiraled into chaos, the economy decimated as farms given to Mugabe cronies are run into ruin. After enduring years of intimidation and threats, Campbell decides to take action. Unable to call upon help from his country's authorities, he challenges Mugabe before an international court.
Is access to clean drinking water a basic human right, or a commodity that should be bought and sold like any other article of commerce? Stephanie Soechtig's debut feature is an unflinching examination of the big business of bottled water. From the producers of Who Killed the Electric Car and I.O.U.S.A., this timely documentary is a behind-the-scenes look into the unregulated and unseen world of an industry that aims to privatize and sell back the one resource that ought never to become a commodity: our water. From the plastic production to the ocean in which so many of these bottles end up, this inspiring documentary trails the path of the bottled water industry and the communities which were the unwitting chips on the table. A powerful portrait of the lives affected by the bottled water industry, this revelatory film features those caught at the intersection of big business and the public's right to water.
The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.
"High Water" is an action-packed adventure centered around surfing's Triple Crown competitions,the professional surfing tour's final three competitions held each year on the North Shore of Oahu.
Fish out of Water tackles the seven Bible verses used to condemn homosexuality and justify marriage discrimination. This feature documentary uses humor and original animation to make a traditionally complex and controversial topic accessible to those who don't like talking about religion and sexuality. Fish out of Water dives into the underbelly of America, crisscrosses red and blue states and talks to ministers from every denomination to uncover America's impassioned relationship with homosexuality and the Bible. With slapstick animation and quirky interviews taken everywhere from barbershops to mega churches, Fish out of Water delivers a voice to the oppressed and informs to the misled. Most importantly, Fish out of Water sits down with hundreds of gay, lesbian, bisexual and transgender folks to impart their experiences with faith and sexuality.
In 1960, Brion Gysin invented the Dream Machine, a hypnotic light device with the power to induce hallucinations, drugless highs, and revolutionize human consciousness. It looks simple enough; a 100-watt light bulb, a motor, and a rotating cylinder with cutouts. Just sit in front of it, close your eyes, and wait for the visions to come. The Dream Machine enthralled mystics and freethinkers everywhere; Kurt Cobain had a dream machine, and William S. Burroughs thought it could be used to “storm the citadels of enlightenment.” With a custom-made Dream Machine in tow, director Nik Sheehan takes us on a journey into the life of Brion Gysin; his art, his complex ideas, and his friendships with some of the most eccentric counter-cultural icons. Taking the Dream Machine as the basis of its explorations, FLicKeR asks crucial questions about the nature of art and consciousness, and imagines a humanity liberated to explore its creativity in complete freedom.
A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.
The inspiring story of award-winning band Saffire - The Uppity Blues Women -- how they left their day jobs in mid-life and realized their dreams. With their potent combination of sassy lyrics and fierce playing styles, the trio Ann Rabson, Gaye Adegbalola, and Andra Faye have entertained audiences for over 25 years. HOT FLASH chronicles how the trio overcame personal struggles and industry stereotypes to emerge as one of the most well-known blues bands playing today. A true insider's look into the band featuring original footage and photographs from the band's personal collection, interviews with current and former band members, as well as with record company executives and music critics, and concert footage of their performance at the historic Ram's Head in Maryland and the Wolf Trap in Virgina.
Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.
The film focuses on the positive side of Africa rarely seen. The film presents the cultural richness of Africa and explains ancient customs and traditions while celebrating the music, dance and welcoming nature of the majority of Africans.
The Marina Experiment' is the result of over 10,000 photographs, super 8 home footage and reel to reel audiotape interrogations that director Marina Lutz's father made of her during her upper class upbringing in 1960s and 1970s Manhattan. A both eerie and infinitely fascinating archive that she herself has now sorted out and reassembled. Her father's transgressive voyeurism is turned against himself, while a courageous self portrait simultaneously grows out of the almost incestuously intimate 'home movies'. The result is a family exposé that can't be shaken off that easily, and which in an intelligent and absolutely unique way raises the question about the right to not be seen - a question that has become even more relevant in the present day.