A documentary about Caroll Spinney who has been Sesame Street's Big Bird and Oscar the Grouch since 1969. At 78-years-old, he has no intention of stopping.
What is life like for a dancer when they can no longer dance? Inspired by Merrill Ashley's departure from the New York City Ballet as an acclaimed principal dancer, this new documentary captures the poignancy of this life turning point. After a struggle to find her next step, today Merrill Ashley travels around the world teaching Balanchine to dance companies which perform his works as once she did. This is the story of any dancer - or, in truth any one of us - who need to find their way into a new life.
Kramatorsk may not be the nicest place - a town of factories and broken infrastructure - but its denizens find much to love there, reflecting on their home with frankness and warmth.
The story of the Greenwich Village Folk Revival, and the part Bob Dylan played in it. This film tells the story of Dylan's entry into and departure from the US Folk Revival, and features new interviews with many of the big players from the scene as it unfolded, as well as an abundance of timely footage, rare performances and numerous other features.
This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.
Follow students enrolled in a Juilliard music and mentoring program targeting students underrepresented in the performing arts. Admission is based on potential, willingness and desire to learn, love for music and a certain drive.
Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
Groundbreaking documentary, "With a Kite," takes an inside look at the growing sport of kiteboarding through the lives and lifestyles of a group of core pro riders against the backdrop of one of the sport's most respected competitions, the Triple-S Invitational live event.
Paranormal investigator and documentary filmmaker Chad Calek returns to his hometown of Persia, Iowa in hopes to put an end to the 20 year reign of suffering that his family has endured due to what they claim is intense negative paranormal activity. Armed with the support and knowledge of best friend / paranormal investigator Ryan Buell , as well as world renowned psychic Lorraine Warren (famous for her investigation of the Amityville and Enfield Poltergeist cases), Calek is determined to not only solve the mysteries as to why the paranormal phenomena initially began, but also to finally bring an end to the activity that has been tormenting his family for over two decades.
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you?
A video essay exploring the frequency and meaning of that particular prop in a wide variety of Sirk movies. Is it a device that traps and keeps women in an artificial world with a limited point of view? Or is it a gateway to the past and the future, and a distorted but nevertheless real vision of the roles that woman are forced to play in society? It's an exploration of the texts and subtexts of commercial films and the subterranean and complicated ways that they affect us and can be read.
Stars of the 1940s and 1950s, were they cast for their mutual affinities or for their commercial appeal? If and when they were re-starred years later, did the magic still work? Did sparks still fly? The movie business, a machine that manufactured romance and desire at the same time that it documented the process of aging. A meditation on youth and beauty, aging and box office.
Between 1900 and 1920 more than 14 million immigrants arrived in the US, like Howard Zinn's parents. They came fleeing poverty or war, or racism, or religious persecution. They dreamed of a promised land, of wealth, or simply of a better life.
A fragile and depressed university student disappears from his apartment in the middle of a cold winter's night. Four weeks later his name and photo explode across social media and into the mainstream media as 'suspect 2' in the Boston Marathon bombings. The search for truth by citizen journalists, mainstream journalists and members of social media Web sites derails with tragic consequences as collective fear and suspicion rule the day and rain down upon a vulnerable family. Exclusive access and never released footage reveal the enduring love of a family in crisis.
For a gay filmmaker, filming in Saudi Arabia presents two serious challenges: filming is forbidden in the country and homosexuality is punishable by death. For filmmaker Parvez Sharma, however, these were risks he had to assume as he embarked on his Hajj pilgrimage, a journey considered the greatest accomplishment and aspiration within Islam, his religion. On his journey Parvez aims to look beyond 21st-century Islam’s crises of religious extremism, commercialism and sectarian battles. He brings back the story of the religion like it has never been told before, having endured the biggest jihad there is: the struggle with the self.