Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
Habiba and Shah who, because of the wars fought in Afghanistan over the past 25 years, have experienced immense suffering, but who have survived to show how it is possible to be brave and moral in this world of sanctioned violence and lies. Shah, a former Mujaheddin soldier and land mine victim, works as a cobbler on the pavements of the ruined city of Kabul. One day, he noticed a pretty Tajik girl who had only one leg, and he began to court her. Amidst the chaos and violence, and despite all the obstacles of tradition and religion, Shah and Habiba were able to marry.
In the early 1960s Anthony Caro led a revolution in sculpture in Britain. His abstract steel constructions, often painted in bold colours, forged a new and internationally influential sculptural language. In the years since his fertile and diverse practice has consistently challenged and extended what sculpture is, and what it might be. At the age of 80, Anthony Caro remains intensely active, working each day in his studio and overseeing every detail of an extensive retrospective at Tate. Preparations for the show are featured in this profile, along with many of his major works, filmed in Britain, Germany and the United States.
With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.
A chronicle of gay culture in New York during the post-Stonewall, pre-AIDs era. Thirteen men and one woman look back at gay life and sex in Manhattan and Fire Island - from Stonewall (June, 1969) to the first reporting on AIDS (June, 1981). They describe the rapid move from repression to celebration, from the removal of shame to joy, the on-going search for "someone," the freedom before AIDS, the friendships, and brotherhood.
When he wasn't duking it out in the boxing ring, Roy "Pretty Boy" Shaw terrorized Britain as one of the country's most feared gangsters, as revealed in this documentary. The program chronicles Shaw's shady history, a criminal career that includes armed robbery, murder and brutal beatings. Known as the only man who ever broke his way out of two prison cells, Shaw became one of Britain's most powerful gangsters in the 1960s.
Los Angeles gang members from the "Rollin' 20s" (Bloods) set reflect on their lives and the ongoing Blood/Crip war. As the years and bodies pile up, the survivors are forced to confront the harsh realities of gang life and the tragic personal toll it takes on family and friends.
This documentary follows the 2002 mayoral campaign in Newark, New Jersey, in which a City Councilman, Cory Booker, attempted to unseat longtime mayor Sharpe James.
The french choreographer Mathilde Monnier and her preparation for her next performance is the main focus of this documentary. The choreography's practices and the bodies, everything is registered in some sort of anthropological way by the filmmaker's camera.
The death of my seven-year-old brother when I was nine remains a painful and haunting memory. My parents did not know how to cope with the loss of their child and the entire family experienced indescribable pain. Phantom Limb uses this personal story as a point of departure. Whether it is a loss through death or divorce, the stages of grieving are the same. Individuals often go through denial, anger, bargaining, depression and, ultimately, some kind of acceptance, in order to heal. The film is loosely structured according to these stages. Interspersed throughout this poetic documentary are interviews with a cemetery owner, a phantom limb patient and an author of a book about evidence for life after death. Phantom Limb reminds viewers that while grief is painful and isolating, it is a reminder to each of us that life is impermanent. - Jay Rosenblatt
In 1968, Elsa and Richard Marley founded an alternative-living community, named Black Bear, in the remote Northern California wilderness with the motto "Free Land for Free People." This film tells the story of that intended utopia. Through archival footage and interviews with former residents, director Jonathan Berman explores the problems and realities of communal living and the evolution of a community that endured FBI harassment, cult leadership and more.
Melvin Van Peebles was one of the first black directors to challenge the white establishment in his films, which include "Watermelon Man" and "Sweet Sweetback's Baadasssss Song." In this documentary, the life of Van Peebles is discussed, including his work not only in film, but also as a novelist, actor, musician, stock trader and even Air Force pilot. Interview subjects include Gil Scott-Heron, Spike lee and Melvin's son and fellow filmmaker, Mario Van Peebles.
Story of the fight to clear activist Judi Bari's name after her car was bombed and she was arrested as a terrorist by the Oakland police. Convinced the FBI conspired to discredit her and her organization, Judi decided to sue.
The Old Testament prophets looked centuries into the future and described the final days of Christ’s life on earth. Their visions were fulfilled in remarkable detail, revealing the true identity of the Messiah—the Savior of the world. Prophecies of the Passion explores these ancient Biblical promises to touch the hearts and minds of both believers and skeptics with an extraordinary message of hope.
Is it ever rational to choose death? On Independence Day at Stern Ranch, 77-year-old solar energy pioneer Bob Stern finds out he’s seriously ill – possibly dying. Meanwhile, an elderly in-law is dying on artificial life support. Bob decides to cheat that fate and take his own life. His family tries to stop him. Bob sets up a video camera. Daughter Susan Stern explores “rational suicide,” the “right-to-die” and the difficult end-of-life choices faced by an aging population.
A troupe of American actors travels to the former Soviet Ukraine to participate in the first cultural exchange theatre project in history and find themselves trapped at the epicenter of a political revolution.
During the evening of March 13, 1997, a mile-wide, V-shaped formation of lights (that seemed to be attached to something) slowly and silently traversed throughout Arizona at a very low altitude for many hours. The inexplicable and awesome event was witnessed by thousands of people, while they were looking up at the sky, purposely to catch a glimpse of the Halle-Bopp Comet. The significant statewide incident garnering headline news, catching the attention of USA Today, CNN, MSNBC, The Discovery Channel, EXTRA, national morning TV shows, as well as the Evening News with Tom Brokaw and Dan Rather.