750 miles. Icy water. No motors. No support. Described as the Iditarod on a boat with a chance of drowning or being eaten by a Grizzly bear, this epic endurance race attracts intrepid, unhinged characters who find their edge on this punishing course.
A look back at boxer Jeff Sims, an ex-convict famous for busting Muhammad Ali's lip in a sparring session who would later meet a tragic end as he could not escape his own criminal past.
Explore the 1928 collapse of the St. Francis Dam, the second deadliest disaster in California history. A colossal engineering and human failure, the dam was built by William Mulholland, a self-taught engineer who ensured the growth of Los Angeles by bringing the city water via aqueduct. The catastrophe killed more than 400 people and destroyed millions of dollars of property.
In March of 2021, the steelworkers of USW 1196 in Brackenridge struck, citing unfair labor practices. Over the next four months, “Local 1196” follows the steelworkers from late night conversations on the picket lines, to fiery debates at the union hall, to their living rooms as bills come due.
Galvanized by the number of white women who voted for Donald Trump, two women of colour envision what unity looks in the United States. But instead of marching through the streets, they take a different approach. Race2Dinner was born, an afternoon of wining, dining and honest conversations about white supremacy and unconscious biases that white women live by. Navigating everyday privileges and cultural differences, the bold intervention changes minds and opens eyes for some, while others turn away because it is too hard. Everything is on the table to eat and unpack, but there is only one rule: no crying at the dinner table.
One in four pregnancies ends in miscarriage, but many women feel ashamed to speak about it. If Everyone Knew documents three women's journeys with baby loss. They tell their personal stories to encourage wider understanding and acceptance.
The story of James Cotton, harmonica powerhouse, whose music shaped blues and rock. Orphaned at 9, Cotton’s life tracks America’s history—from the post-depression cotton fields of the Mississippi Delta to being mentored by the original Delta bluesmen, to Chicagoland’s artistic reinvention to the live music scene in Austin, Texas.
Who runs the world? With the recent surge of women in politics, director Chloe Sosa-Sims's timely feature debut focuses on three political stars in three countries. For Jess Phillips of the UK, Pramila Jayapal of the US and Canada's Conservative MP Michelle Rempel Garner, politics is a deep and committed passion. Positioned on different points along the political spectrum, they take on their jobs in government with bold determination, advocating for their individual agendas. Phillips is focused on combating domestic violence, while Jayapal has set her sights on a new bill to expand American health care and Rempel Garner is looking for ways to create jobs for oil workers in her home province of Alberta. With elections looming in all three countries, the women are working hard on reforming patriarchal political institutions from the inside, and despite their differences they each fight to rise to the occasion.
When international sport governing bodies rule that 'identified' female athletes must medically alter their healthy bodies under the guise of fair play, four champion runners from the Global South fight back against racism, the policing of women's bodies in sport, and the violation of their human rights.
Morgana Loren sews conversations with some drag queens from the Paraiba Valley and Greater São Paulo. They talk about relationships, work, inclusion, among other topics.
“Luminous” tells the story of the first astronomer in history to publicly predict the near-future explosion of a star. But will he be right? Others in the astronomical community are skeptical, and professional reputations hang in the balance. In production since 2014, “Luminous” follows Calvin College astronomy professor Larry Molnar’s five-year journey to test his unprecedented prediction, knowing that its success or failure will unfold squarely in the international spotlight.
Nearly a decade in the making, The House We Lived In is a strikingly candid portrait of a family transformed by a father’s brain injury. In 2011, 61-year-old Tod O’Donnell awoke from a coma with a case of total amnesia that doctors assured his wife and children was temporary. But when it proved permanent, and for no discernible reason, the O’Donnell’s were left to themselves to untangle the mystery — a struggle for answers that would only raise more questions as they came to realize, painfully, that the real mystery was Tod himself.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
Mike Quarry fought under the shadow of his more famous brother throughout his boxing career. He would later suffer the exact same effects from the support, dying from pugilistic dementia in this look back at his life and career.
Summer 1967. Two little boys, 9 and 11, drive a pony cart from Needham, Mass. to Montreal on their own—325 miles—to visit the Expo ’67—the World’s Fair.
Violet Gave Willingly immerses us in the colourful and tactile studio and inner life of textile artist Deborah Dumka. An unflinchingly intimate mother–daughter conversation, the film lays bare the continuum and legacy of gender-based discrimination, sexism and sexual violence.
From its shocking opening image of a bridge snapped in two, Zero Position crosses an eerie landscape fractured by dueling Russian separatist and Ukrainian forces. On this cinematic journey, there are no interviews or extensive explanations of the conflict between the opposing sides. Accompanied by an evocative soundscape, the film moves like a ghostly presence through a troubled region, pausing at heavily armed checkpoints and competing front lines. As the camera captures people scurrying past the aftermath of conflict, carrying plastic bags bulging with items gleaned from abandoned homes, we see the stark reality of a people caught in a borderland between East and West. Director Louie Palu's expressive, sparse and poetically delivered voiceover adds context to places the nightly news cameras don't take us, including an old coal mine and a family's home. Through its mood and atmosphere, Zero Position offers us an experiential look at a region on the brink of all-out war.
Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.
On Nov. 5, 2021, rapper Travis Scott headlined the Astroworld Festival in Houston, which tragically led to the deaths of 10 concertgoers in a crowd crush.