The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love
After her mother's death, a young girl is separated from her abusive father and is sent between her various friends and relatives, always longing to find a place to call home.
Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.
In 1839, the slave ship Amistad set sail from Cuba to America. During the long trip, Cinque leads the slaves in an unprecedented uprising. They are then held prisoner in Connecticut, and their release becomes the subject of heated debate. Freed slave Theodore Joadson wants Cinque and the others exonerated and recruits property lawyer Roger Baldwin to help his case. Eventually, John Quincy Adams also becomes an ally.
Single mom Kathleen Russell (Roma Downey) and her daughter Zoey pretend to be Kathleen's boss's "family" so he can close a major business deal with the mysterious Mexican financier Javier Del Campo.
A magic ruby ring transports fifteen-year-old Lucy (Emily Hamilton) one hundred years back in time to a castle, where she's a servant girl. Christian Anholt, Emma Cunniffe, Gillian Kearney, Judy Parfitt and Rutger Hauer costar in this enchanting family film.
Following the death of her mother, Sarah, a Californian teenager, is sent to live with her father in the Scottish Highlands. After a riding accident she is befriended by a fascinating old hermit named Fergus, who has spent his life living in the mountains and whose home is a haven for wounded animals. Through her friendship with Fergus, Sarah discovers the beautiful legendary Princess Stallion and embarks upon the adventure of a lifetime.
In 1945, a young boy arrives in a small Georgia town on a bus from which his mother was abducted and murdered. Alone he sits quietly and everyone becomes convinced that he is deaf and mute. Deciding that silence offers some power and protection, the boy decides to remain mute and just listens to all that is being said around him by people who think that he cannot hear.
Thirty-year-old Emmett LeClere, a former logger and recovering drug addict, returns from school in New York to make a film in his Olympic Peninsula hometown. To finance the project, he decides to grow marijuana with an old buddy. After an abbreviated affair with an ex-girlfriend ends in a drug binge, Emmett finds a promising but doomed new romance. Countering good intentions with dishonesty, Emmett is soon left questioning his place in the world.
After suspecting her husband is playing the field, a nervous woman finds a sympathetic ear in the form of a strange man. The drawback is that her sensitive new-found friend is an obsessive psychopath.
Fresh out of law school and desperate for work, idealistic rookie Rudy Baylor takes on a powerful insurance company accused of denying a dying boy’s claim. Teaming up with a scrappy, unlicensed paralegal, he finds himself in a David-versus-Goliath courtroom battle that tests his ethics, courage, and belief in justice.
After heavy rain, the Mississippi is breaking it's banks flooding small towns. Richard Thomas and Kate Vernon realise their town is next on the hit list. Lots and lots of sand bags might not do the trick but a huge explosion might. In the meantime the plot is filled up with a predictable story about a family dreading their mistake of staying behind when they become entrapped in their own home.
Two feuding half-brothers are both assigned to the same aircraft carrier. The carrier is sent to the Persian Gulf and their personal problems are put behind them, while they deal with a Iraqi military officer who has decided to stage a coup. The brothers move in to deal with the problem, but soon find themselves fighting the rebels as well as regular Iraqi troops. When one brother gets in trouble, the other comes to the rescue.
After FBI agent Frank Lacrosse believes his son was kidnapped by a notorious serial killer, he travels to Amarillo, Texas, where he believes the murderer is in hiding. Although officially taken off the case because of its personal significance to him, Frank continues to pursue the killer, causing concern for local sheriff Buck Olmstead. When another victim pops up at a nearby car garage, Frank knows that he is as close as he'll ever be to tracking down the elusive killer.
Quarreled sisters; Sarah and Wanda inherit property from their mother. It has always belonged to the family. Sarah insists on selling it as soon as possible because she has many difficulties. She goes there with her daughter; Gina. Wanda, on the other hand, wants to keep the property in family. They soon discover that it's not abandoned. Old lady, Lilly Cooper has been living there for many years and doesn't want to leave the house, at least, not as long as she can meet her son.
The story is of a small town in the early west and of a 'shooter' of reputation that drifts into it and stands up to the controlling family that runs it. But far from a John Wayne, this hero is caught and brutally beaten and left to die, only to be saved by a prostitute that has also suffered under the hand of this group of desperados. The only one possible to stand up to the shooter is another solitary man who joins with the notorious family although he is deputized as the town's sherif.
Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland