Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.
Steve McTear, a gifted fencer, tries to distance himself from the violent criminal activities of his family. When he finds himself pursued by gangsters, he decides to take a job as a fencing coach at a remote and exclusive school.
Postal inspectors investigate a con man who uses the identities of others to falsify credit card purchases. Stealing credit card offers from mail boxes, he obtains cards in others' names, makes many purchases until the card is maxed out, but is always careful to pay minimum balances. According to the story, it is possible for individuals such as this to run many credit cards at a time without being caught.
When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting an unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.
A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love while a suspicious FAA agent tails him.
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.
This three-part anthology is nothing but shortened previous Full Moon releases directed by David 'Boxer Briefs' DeCoteau. Prison of the Dead (2000) has become "Crypt of the Undead," The Killer Eye (1999) has become "Terror of Vision" and Totem (1999) has become "Masters of Death."
Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.
When an entire town in upstate New York is closed down by an unexpected snowfall, a "snow day" begins when a group of elementary school kids, led by Natalie Brandston, try to ensure that the schools stay closed by stopping a mechanical snowplow driver by trying to hijack his plow truck. Meanwhile, Natalie's big brother Hal is using this day to try to win the affections of Claire Bonner, the most popular girl in his high school, while Hal and Natalie's father Tom, a TV meteorologist, faces off against a rival meteorologist for weather coverage of the day's events.
The Oddness Begins... What is it about that horror movie on channel 12? Why do so many women in this small town work for the same party entertainment service? What is the significance of their bubble baths? Why so much yogurt? Where did that eyeball come from? Who is Bob? Odd Noggins is a strange trip into a small town where nothing is quite what it seems to be.
Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America's border with Mexico and known both to those who live on the "line" (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker's art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.
In 19th century New Orleans, creole Henriette must choose between love and devotion to the church. Neither choice is going to be easy, as there is great opposition to her ideas of breaking traditions.