Why does the Pigeon have to go to school? He already knows everything! And what if he doesn't like it? What if the teacher doesn't like him? What if he learns TOO MUCH!?!
In 1885, Africa is a succulent cake destined to be wildly divided and everyone wants a piece. A disturbed European king, a Pygmy working in a luxury hotel, a successful but lonely businessman, an enslaved porter, a young army deserter, a ghostly clarinetist. Some benefit from colonialism and greed. Others suffer racism and violence.
Christmas is supposed to be a magical time, but instead it’s dire times for Santa Claus. His whole existence is fading, because the children have stopped believing in him. But there is one little boy called Vetle, that still believes, but for how long?
In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…
After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.
A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.
A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.
A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.
Paola grows up in a Colombian family full of appearances: her father is a priest, her mother a psychic, and her sisters don’t live up to their parents’ expectations. She seeks independence in a world full of stereotypes and learns to live on her own terms, as a series of experiences gradually shape her personality.
The rich inner world of famous Georgian theater and film director, artist and puppeteer Rezo Gabriadze is as fantastic as the animation into which he has poured this story of his life. Rezo’s director son Levan "Leo" Gabriadze, who previously made the horror film Unfriended (2014), leaves it to his father to talk about a life suffused with magical thinking.
Akiko Takakura is one of the last survivors of the Hiroshima bomb. During Obon, she receives the spirits of her parents and is haunted by memories. Finally Akiko experiences paternal love in the middle of the ruins of Hiroshima.
An animated documentary about the legendary journalist who changed the game for women in reporting before women even had the right to vote. Examining boundaries between reporting and storytelling, it creates a dynamic portrait of a woman who refused to accept the status quo.
Maquia is a member of a special race called the Iorph who can live for hundreds of years. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief. One day the kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality to his bloodline. They ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato. It soon dies, and she is left deserted in a forest, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her.