Renowned filmmakers D A Pennebaker and Chris Hegedus follow determined animal rights activist Steven Wise into the courtroom for an unprecedented battle that seeks to utilize the writ of habeas corpus to expand legal “personhood” to include certain animals. Wise’s unusual plaintiffs—chimpanzees Tommy and Kiko, once famed showbiz stars—are now living in filth, struggling to survive. Wise and his impassioned legal team take us into the field, revealing gripping evidence of such abuse and plunging us into the intricacies of their case as they probe preconceived notions of what it means to be a non-human animal.
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
Los Punks: We Are All We Have is an intimate documentary about the teens and young adults who find meaning in the thriving punk rock scene in the backyards of South Central and East Los Angeles.
In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
Americans consume 75% of the world’s prescription drugs. After losing his own brother to the growing epidemic of prescription drug abuse, documentarian Chris Bell sets out to demystify this insidious addiction. Bell’s examination into the motives of big pharma and doctors in this ever-growing market leads him to meet with experts on the nature of addiction, survivors with first-hand accounts of their struggle, and whistleblowers who testify to the dollar-driven aims of pharmaceutical corporations. Ultimately his investigation will point back to where it all began: his own front door.
While managers of Swiss banks in the USA ruefully apologize for their tax evasions practices and customer data is disclosed to the American authorities, Rudolf Elmer, former auditor at bank Julius Bär, is indicted for violating the Swiss banking secrecy law on the Cayman Islands. Rudolf Elmer: from insider to critic.
Arguably the most influential creator, writer, and producer in the history of television, Norman Lear brought primetime into step with the times. Using comedy and indelible characters, his legendary 1970s shows such as All In the Family, Maude, Good Times, and The Jeffersons, boldly cracked open dialogue and shifted the national consciousness, injecting enlightened humanism into sociopolitical debates on race, class, creed, and feminism.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
The inside story of the bitter clash between President Obama and Israeli Prime Minister Netanyahu. Amid violence in the Middle East, the film traces Netanyahu's rise to power and his high-stakes fight with the president over Iran's nuclear program.
For most men in Egypt, if a girl wears tight or skin-revealing clothes, she makes herself desirable and deserves to be stared at. Not all the blame can be put on the men as their own mothers often share the same belief. Two students from the American University of Cairo document the ordeal women face simply walking down the streets, even in broad daylight. Filled with interviews and social experiments, ‘The People's Girls’ highlights how Egypt is getting more regressive by the day with hardly any measures taken to keep its women safe.
Words and delivery can combine to galvanize an audience, creating ‘I remember where I was when...’ moments. JFK at the Brandenburg Gate or Martin Luther King at the Lincoln Memorial provide unforgettable examples that still stir today. This collection of classic speech excerpts contains not only inspiring orations to democratic freedom and the noblest aspects of human endeavor, but also some of the darkest and most despicable speeches delivered in modern times.
For over seven decades the nuclear bomb has been a presence in our lives. The Nuclear Requiem is a meditation, based on a journey taken during the 70th anniversary, with voices representing different views on the continuing struggle of dealing with the most lethal weapon ever created, the nuclear weapon.
The Listeners follows new volunteer trainees in suicide prevention as they answer suicide hotlines. Through their eyes and ears the film examines mental health and suicide prevention, volunteerism and the life-saving power of empathy.
On the 1st August 1936, 100,000 spectators watched as Hitler and the Olympic delegates arrived at the Olympic opening ceremony in Berlin. The Olympic flags hung cheerfully side-by-side banners bearing the Nazi swastika. With the help of specialists and images from Léni Riefenstahl’s 1938 film, ‘Olympia’, we see what really went on behind the scenes and investigate the secret negotiations and compromises made by the International Olympic Committee to bring the Olympics to Berlin.