The Hamat'sa (or "Cannibal Dance") is the most important-and highly represented-ceremony of the Kwakwaka'wakw (Kwakiutl) people of British Columbia. This film traces the history of anthropological depictions of the dance and, through the return of archival materials to a First Nations community, presents some of the ways in which diverse attitudes toward this history inform current performances of the Hamat'sa. With a secondary focus on the filmmaker's fieldwork experience, the film also attends specifically to the ethics of ethnographic representation and to the renegotiation of relationships between anthropologists and their research partners.
Living Forest explains the food forest system in use in an area near the river Amônia; a consortium in which everyone participates to provide better food for the entire community. Using forest management, the Ashaninka Indians turn degraded land into a place for communal cultivation. Banana trees are grown for food and also as fertilizer for other crops, including plants that are used for building materials. The video also shows how the Ashaninka are able to attract more wild game with the fruit that they grow, as well as keeping honeybees and turtles for food. By conducting studies of plants and animals they are continually finding ways to improve their system. Through communal, sustainable cultivation of the forest, these Indians protect their land and plan to feed themselves well into the future.
In the Highlands of Papua New Guinea, a grassroots family makes a precarious living by trading in betelnut, one of the world's most widely used narcotics. This is the story of resilient people who have few material possessions but who face each day with dignity and quiet determination. As they go about their daily work, the film presents us with a vivid portrait of present-day life in Papua New Guinea.
This documentary follows a group of Yemeni masons as they restore the 16th century Amiriya Madrasa using ancient—and uniquely Yemeni—techniques. Through this project they not only renovate and protect a revered landmark, but also ensure that their rare craft will not be lost.
Featuring notable Minimalist artists such as Bride Marden, Claes Oldenburg, and Donald Judd, What is Minimalism: The American Perspective 1958-1968 explores the movement during an explorative exhibit at the Museum of Contemporary Arts in Los Angeles. Exhibition curator, Ann Goldstein, walks us through multiple rooms of the exhibit and offers her insight on Minimalism and its role in our society, stating that "It marked a fundamental, and critical and pivotal and irrevocable change in the course of art history," (Ann Goldstein). This film observes and analyzes the compelling creative choices behind some of the featured artists most applauded works of art.
While guiding us through her retrospective exhibition “Zaha Hadid Has Arrived”, the renowned architect recalls her career from its beginning, discussing her education, inspiration and technique. The exhibition, located at The MAK in Vienna, features a new sculpture from Hadid entitled “Ice Storm” that serves as the centerpiece of the show and captures her sleek signature. From her famed Bergisel Ski Jump to Rome’s Museum of Contemporary Art, Hadid’s architectural resume shines in its diversity and exploration. A Day with Zaha Hadid reviews Hadid’s work of the last decade and celebrates her perpetually modern and daring designs.
A detailed overview of contemporary life in the tiny South Pacific country of Tuvalu, this film documents the earth's first sovereign nation faced with total destruction due to the effects of global warming. With a population of about 11,000 living on a total landmass of only 20 square miles – less than Manhattan – spread over nine low-lying atolls 600 miles to the north of Fiji, Tuvalu has been inhabited for over four millenia. The warm-spirited and highly community-oriented people of this ex-British colony struggle to survive economically while confronting the likelihood of having to evacuate their homeland en masse within the next 50 years.
A Dog's Life: A Dogamentary, a wacky and poignant documentary about the positive effects of the bond between dogs and humans, told through the story of Gayle Kirschenbaum and her dog Chelsea. Chelsea rigged with a "doggie cam", this couple hit the streets of NY looking for love. 9/11 happens. Chelsea emerges as a healing force as a therapy dog.
James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.
The animated documentary Proteus explores the nineteenth century's engagement with the undersea world through science, technology, painting, poetry and myth. The central figure of the film is biologist and artist Ernst Haeckel, who found in the depths of the sea an ecstatic and visionary fusion of science and art.
In Alvaro Siza: Transforming Reality Portugal's renowned architect reviews his work with architectural historian, Kenneth Frampton. While touring his projects Siza discusses his approach to architecture, explaining that it is centered around the idea that setting is integral to design and that a structure should be reinforced by surroundings that both enhance and highlight its potential.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived."
An unprecedented and unflinching look at how the citizens of South Africa are living with the AIDS epidemic, given the climate of governmental confusion and neglect.
In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.
This extraordinary film interweaves the stories of three close lesbian friends: Joyce Fulton, who died over the course of two years from a brain tumor; Mary Bell Wilson, who, with indefatigable courage, faces up to her own losing battle with lymphoma; and Nan Golub, a black-leather-jacketed, platinum-dyed New York city artist, very much alive. Liberty demystifies death, dispels misinformation about age and sexual orientation and reminds us that life is worth living, even worth celebrating.
More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.