Dani Ocean's boyfriend cheated on her. She wants to leave him but he's threating to leak The Word, a document which the sorority posts illegal academic material. If her boyfriend reports this, her sorority could get kicked off campus. So, she's going to steal it back.
Atmospheric Offense is an interpretation of Ida Lupino’s 1953 Noir Thriller The Hitch-Hiker that explores how narrative both remains and disappears when exposed to avant-garde techniques, which include removing dialogue, jarring and destructive ellipses, the creation of loops to focus on certain elements, reimagining of time, exaggeration of a certain sinister aesthetic, and a push toward a certain dream like quality. Narrative remains, but with a bastardized and disoriented aftereffect, which transforms it into another way of experiencing it. The spree killings of Billy Cook (portrayed in Lupina’s film by the actor William Talman, and renamed Emmett Myers) are looked at more as a moment in time that begins and ends with vague qualities much like a dream, or an experience of weather in Robert Musil’s The Man Without Qualities.
In 1980 communist Czechoslovakia, Mara dreams of leaving her village to study in the city and become a pilot. But her father, a Ruthenian farmer and widower, insists she stays and works the land. As their village faces destruction because of a new water reservoir, their generational conflict intensifies, revealing the struggle between tradition, identity, and the desire for freedom against a backdrop of historical change.
The city as a stage of desire, where the male gaze provokes surveillance and scrutiny of the female body. This power relationship turns the body into a field of contestation in public space.
The Colombian Montes de María are home to the emechiche (Saguinus oedipus). An endangered species, we will observe their complex relationship with their young and their environment. We will analyse their survival, allowing us to witness their feelings and wild instincts.