Daniella loves the peace and quiet of living alone—except for one small problem: her roommate, Vincent, is a ghost. Visible only to her, Vincent has a knack for causing chaos at the most inconvenient times. When Daniella invites a date over, she must somehow keep the evening on track while keeping her mischievous, spectral roommate from ruining everything.
The past is ghosts we left at home. The past is what we always carry with us. "nonplace" attempts to document a place that now exists only in dreams and memories, aiming to connect the ever-changing present with the encapsulated past.
A trashy tragicomedy in which an ambitious novice director seeks to break the “theatrical” molds of Ukrainian cinema, but his creative rebellion ends in the collapse of his “universe.”
When fiercely independent equestrian Emma finds herself ranch-sitting for a friend while caring for her injured horse over Christmas, she clashes with brooding veteran Noal — only to discover that the magic of the season may be what they need to heal their hearts.
The Ukrainian town of Nikopol has been a prime target for Russian weapons for several reasons. A giant dam used to stand nearby. The Zaporizhzhia Nuclear Power Plant is located just a short distance away. With the destruction of the reservoir, people lost their source of drinking water. And the power plant lost its cooling system. Yet, many people, like Father Bohdan, remain in this God-forsaken place.
Amid the ruins of the American Dream, shadows emerge - men and women who share their stories through poetry. A musician engages in a dialogue with the soul of poet Jack Hirschman. Through this musical road trip from beyond the grave, a poet, a people, and a country gradually come into focus.
A documentary that takes an emotional journey through the life and career of David Delfín, a unique, controversial, and revolutionary artist who was much more than a fashion designer. It portrays a complete and multidisciplinary creator who used couture to express himself and the catwalk as his megaphone. Beginning with the scandalous 2002 Cour des miracles show—known as “the rope show”—the film explores his artistic vision and his intimate world as a son, brother, boyfriend, and friend. Through moving testimonies from those closest to him, it reveals both his brilliance and vulnerability. In a tragic twist of fate, Delfín and his soulmate, model Bimba Bosé, were both diagnosed with cancer at nearly the same time; she died in January 2017, and he followed five months later.
Three aspiring filmmakers from a humble brick kiln background set out to prove their talent. After their first village drama is dismissed as outdated, they decide to reinvent themselves. What begins as a daring YouTube channel sting soon spirals into danger, loss, and a shocking revelation—with twists and turns—all part of their bold second film. Their vision ultimately wins over the producer, marking the true beginning of their filmmaking journey.
At a gay bar in Paris, a man takes a break from drinking with his friends to take a leak. Little does he know that the bathroom is also a backroom that is connected to hell through the catacombs of Paris. A rough sexual encounter with the demon ensues.
Trang, a real estate agent who was raped, fears her boyfriend Hiệp will leave her, so she lures him to a homestay to propose. There, she is horrified to meet Long—the owner—who looks exactly like her attacker. Adding to the mystery, Long’s wife, Ngọc, also turns out to be one of the man’s victims. As Trang secretly investigates the truth, the situation grows increasingly tangled, revealing a dark conspiracy awaiting them all.
When Mr. Quang’s extended family returns to their hometown to perform a long-delayed reburial ritual, they find themselves not only confronting ancient spiritual traditions but also awakening a generational cycle of karmic retribution.
A twisted true crime nightmare where serial killer granny Dorothea Puente lures the vulnerable, kills without remorse, and buries secrets in her garden. Evil wears a smile. You’ll never trust kindness again.
The film’s plot is based on rehearsals at a theatre for the deaf, showing the complex working process of hard-of-hearing directors and actors. They constantly search for forms, images, and unique ways to convey the entire dramaturgy to the audience without a single word. It is reminiscent of early silent cinema — a universal, international language of gesture and movement. In addition, between rehearsals, we see the “backstage” life of the theatre: the work and daily routines of deaf lighting technicians, makeup artists, and costume designers.