A lonely man is tormented by the care he must provide for his mother. In front of the mirror, he discovers a wound on his stomach, which he chooses to ignore. As the days pass, the wound grows, and so do his mother's needs.
A high-flying whirlwind grand tour of Mass. Ave. featuring stunning aerial cinematography, revealing interviews with small business owners, controversial news-making stories (the MIT and Harvard encampments), a look at the city’s political life and the Ave’s history, Central Square’s dance party as seen from above, more dance (!) , our local music scene and, of course, the turkeys.
Registration of the theatre program by the Dutch comedian Tineke Schouten. Schouten is taking a different approach to her show. She's not just hiding behind a costume; no, you see more of Tineke herself, the things that keep her busy. She's been through some turbulent times; the world has been turned upside down. How do you hang up the banners then? And does Tineke really have a fetish for shoes, phones, or computers? Maybe she should give her unvarnished opinion or have a deeper conversation! Of course, Tineke will join the audience in putting things into perspective and laughing at our own shortcomings, interspersed with songs, accompanied by top-notch musicians.
Two Cape Breton best friends head west to Alberta for the first time with the hopes of making a few bucks as they open for a local band, but things go south when their accommodations fall through and they run out of money.
Yusuf travels through Kurdish villages, collecting endangered folktales to publish in a book. The film takes us on this journey. We witness his connection with Kurdish women, elders, and children, and we see the family pressure, social taboos, and financial hardships Yusuf faces. Despite everything, he continues, even when he feels like giving up.
An investigation spanning several years that links dramatic events that took place at the address “2 ancienne route de Lyon” on the outskirts of Grenoble. The narrator/character digresses on the neighborhood’s working-class past linked to the cement industry, and on her childhood memories, whether real or imagined.
Hybrid short film that transforms the physical properties of Super 8mm film into multi-layered moving images. Through macro and close-up shots, the film captures the subtle transmission of life and energy between plants, water, and light during springtime in northeastern America. Through digital post-production, the film weaves together the ethereal qualities of nature with intimate body performance. The film perforations become miniature frames, creating tiny windows that house paintings and micro-videos. Within these windows, each subtle movement of the body performer, like spring breeze caressing, engages in a silent dialogue with the surrounding plants. The experimental approach extends to the margins of the film—where key codes beyond the perforations, typically used for frame-by-frame specific identification, transform into concrete poetry. The verses appear as casual murmuring across the film, carrying a sense of introspection and reflection.
A tired and lonely cleaner finds an abandoned mobile phone in an office she is cleaning. When the phone rings and she answers it, the caller appears to be herself. When she interrogates the caller her surroundings slowly vanishes until she herself vanishes.
On the opening night of his sold-out one man show, star actor Gary Baker-Hall and his young protégé understudy Edward go on a drug-fueled bender minutes before curtains rise.
Weeks have passed since a viral outbreak turned your average person into a rage filled monster hungry for human flesh. Now Emmitt, a Marine Corps veteran, and his brother Matt, a college football athlete, must fight every day to survive as the world descends into chaos. With supplies running low our heroes find themselves in an abandoned home where they discover what will unite them as brothers.