Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga co-stars as Amina’s fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.
Naharina are the descendants of the peoples who inhabited Mesopotamia thousands of years ago. Those who make communality their essence and the coexistence of different ethnic groups their strength. But there is no longer a river, Turkey has dried it up and made life impossible for millions of people.
Jacqui's sister Leia comes home for a week to help her decide whether to sell their late mother's house. Leia thinks Jacqui should learn to communicate with the dead.
Quebec, 1960s. Agathe, an asthmatic child, lives with her mother Thérèse, a melancholic artist. At night, the recurring siren of a train fuels her vision of a parallel world where travelers from the future pass through. As a teenager, Agathe meets Frank, a young writer, who allows her to cross the border between the present and the future.
There was a time when the Italian film industry copied American models and reaped huge profits. In 1981, a transalpine production company dared to make an exploitation version of Jaws and Jaws 2, while Universal was preparing the third official installment. The Last Shark was successfully released in several countries with the title Jaws 3 or The Last Jaws, making a huge impact, but in the United States it instantly got sued, sparking an epic conflict between Jaws.
Ten perspectives on St. Petersburg at the beginning of 2024. Where does the “spirit of the city” still reside, here and now? Has it become nothing more than an empty tourist brand? Has it dissipated amid the bustle of the new century? Ten very different styles, methods, and genres combine in a cinematic suite that captures the pulse of Russia’s most deliberate city.
When Ah Yao returns to Malaysia for his father’s funeral, he expects grief, not chaos. But everything turns upside down when the religious police storm in, claiming his father—who secretly converted to Islam—must be buried in an Islamic cemetery. Refusing to let go, Ah Yao and his siblings set out on a wild, darkly comedic journey to reclaim the body, confronting cultural clashes, family secrets, and absurd obstacles along the way.
Sloane and four classmates take cover in Cortege High to escape a world plagued by the infected. As danger relentlessly pounds on the doors, Sloane begins to see the world through the eyes of those who actually want to live and takes matters into her own hands.
Kumar, a spoiled rich kid who lives life by his own rules, falls in love with Mercy, a beautiful girl with a big secret, while attending university in Kerala.
In Euclidean Man, Marshall McLuhan’s monotone voice unlocks a world in which man moves through the electronic age and where technological advances provide a new step in human evolution. This cyber collage of sound and image fragments hypnotises the viewer with its rhythmic cutting and pasting.
After a gruelling final tour, Aurélien decides to settle in Japan with his wife Nanako, who is pregnant with their first child. As the young couple move into a traditional house in the Japanese countryside, Aurélien discovers an ancient suit of armour in a well, which is about to awaken strange creatures known as Yokaïs.
Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.
Mutant sharks are unleashed on unsuspecting victims wearing toxic Bikini-Net swimsuits. What starts as a glamorous beach promotion turns into a blood-soaked nightmare, as engineered predators hunt down anyone caught in the scheme. Now, a small group must fight for survival against the ocean’s deadliest creations—while uncovering the twisted plans of a deranged CEO.
In a not-too-distant future, where everything has completely unraveled into chaos, the Ministry of Intergalactic Crises urges citizens to abandon Earth before the inevitable unfolds, offering interplanetary flights to the J-18 orbital settlements. Meanwhile, in a desolate bar, perhaps the last bar standing, 23 minutes before the final flights depart, a couple wrestles with a decision: is it time to end their tumultuous relationship once and for all?