Hard-nosed talk radio personality Sarah Williams receives an on-air call from a man claiming that a murder will occur by the end of her late-night shift. It’s up to Sarah to figure out who this is and why he’s doing it… before it’s too late.
Three elite mercenaries must embark on a rescue mission of critical importance when one of their own inadvertently causes a town to spur into civil disorder as his past path of reprisal against a brutal collective of evil triggers a crippling domino affect-casting everything it touches into dismay. The third installment of the '10/31' series serves as an introspective overlook at the events since the start of the story, and maybe even further...
A brave mouse in a movie theater full of cats tries to put a twist on a seemingly repetitive film, in which a cat chases another mouse on hamster wheels.
Olivia, a singer from the slums of Trinidad, uses her talent to escape an impoverished life despite her religious mother’s determination to stop her from getting involved in soca music. As a track she records goes viral, Olivia is invited to participate in “The Greatest Show on Earth” (the biggest soca competition in the country). Will she be able to rise to the occasion and take the title from the reigning queen?
The second entry in an interlude series within the multiple potential interstitial states of string harmonics. Hand processing and 16mm-to-digital scanning are treated as points of intervention and compositional instruments.
artist highlights self-care and masculinity from an artistic and documentary perspective. The film celebrates images of togetherness, care and sensitivity at the Mr. Artist Barbershop in Vienna. Filmed by hand, the camera stays close to the protagonists. The body rhythm of the filmmaker is written into and onto the film exposures and converses with the experienced hand gestures of the barbers. Through craft and artistic expression, two forms of work enter into a sensual and transformative dialogue with each other. The analogue, warmly coloured and abstracted 16mm exposures are interwoven with an immersive and nuanced sound space composed by musician Rojin Sharafi.
Unaesthetic Tableau traces a haunted, blundering passage through a digitally constructed scene built from photos and found images of remnants and dissolution—trash, stains, peeling paint, broken TVs. These fragments were translated into 3D models using AI software that imperfectly and erroneously remediates visual information. Misrecognition becomes a generative force: textures are warped, objects are distorted and the debris of the physical world is reconstituted as digital ruins.
Pulsing solar forms dissolve into the delicate architecture of retinal veins; sunspots mirror the floating specks across our vision. This film exists in a space between the vast and the intimate—where drops of blood become celestial bodies, and fractures in film emit light like distant stars. Without the mediation of a camera the film collapses the distance between the observer and the observed, the macro and the micro.
Rectangle Boundary explores the concept of the image and its spatial boundaries. The work deconstructs the perimeter as a static element, revealing dynamic shifts along the edges of a rectangular structure.
Johnny Pigozzi—photographer, heir, and legendary collector—pioneered the celebrity selfie in the 1970s, built an elite social network, and assembled the world's best contemporary African art collection.