Suraci is a boy who loves to enter his imagination. He feels sorry for his Mother who works under the hot sun every day. He wants to fly to the sun using a kite to cool it down with ice. However, Suraci doesn’t know what dangers await him.
A child (Lintang) wants to celebrate his birthday with family and friends, but his father has been critically ill in the hospital for a week. He then hears about a myth that fireflies can grant a wish. However, fireflies have not been seen in the area for a long time and are nearly extinct. Lintang and his friends then try to bring the fireflies back so that his father can come home soon.
Often bullied because of his fat body and a mysterious condition that causes him to have nosebleeds when he panics, Satria, a high school student, is forced to participate in the initiation of the all-boy school gang.
Koli, an honorable elderly man has just opened his business, a "Funeral Agency." Everything seems perfect, except for the fact that he unintentionally finds himself caught in the trap of a criminal gang. Together with his brother, whom he has employed in his agency, they will go through many trials, during which they meet Besi, believing him to be the right solution to their problem. However, in reality, this solution becomes a harm inflicted upon Besi, who, justifiably, will use them to rectify the wrongdoing committed against him. Friendship and enmity, danger and adventure, laughter and tears will accompany them on the crime-laden path of no return, in pursuit of the hope that the truth will prevail.
A pianist drives around a forest landscape, wandering in search of her way.
A way to let go of memories. Letting go of the woman of her memories.
Like a wind, they blow through her mind, mingling and enriching the music that propels her along
her path. Her longing on the tip of her tongue and the end point of the journey.
Katie’s family’s horse sanctuary is on the brink of closure, but in a last-ditch effort to raise the money, Katie must coax her reclusive grandfather, Bluegrass legend Ben Pendleton, back onto the stage for a Christmas benefit concert.
Waking up from a nap in a park in the middle of a downpour, Jo, a young frog, notices that her little brother Gigi has disappeared. He then picks up another tadpole on the way. His mother will probably not suspect a thing!...
Lifestyle mogul Leslie aims to acquire charming Sugar Bakers bakery before year's end. She dispatches employee Emma undercover as temp worker to persuade owners, but Emma finds herself enamored with its festive charm and baker David.
A young man spends one last day walking around Mexico City, looking for a espiritual connection while deciding whether this will be the last day of his life or not.
Follow Phoebe, her older sister Becks, younger brother Perry and their mum who are living a comfortable life in Glasgow when suddenly they are uprooted from their lives and moved to the remote highlands of Scotland.
Okhee is a lower-class diver in the city. One day, Eunyoung, the daughter of her late husband, comes to visit. What’s more, Kyeongsik, Okhee’s son, who is being chased by creditors, leaves his young son Junseo with them and disappears. Eunyoung wasn’t planning to stay long but misses the chance to leave due to Okhee's accident and the appearance of her step-nephew, Junseo. Eunyoung starts to live together with Okhee, but everything feels uncomfortable.
What happens when an image leaves a state archive and enters the feedback loops of an artificial neural network? Inspired by an encounter that the artist had at the Google Cultural Institute with an image originating from the National Gallery Singapore, Figures of History and the Grounds of Intelligence travels back in time to probe the intersecting histories of state planning, global networks and cybernetics that span from the Cold War to the ongoing boom in generative artificial intelligence. Looking into how different historical figurations have come to make up the grounds of “intelligence” that underpin today’s generative text-to-image models, the narrative focuses on what it means for these models to “learn” from history without actually understanding it in order to generate ever-changing distributions of noise. At stake here is the future of representation itself—a future where images appear to have no history to speak of.
Driving recklessly away from a nightmarish encounter, a young man deeply rooted in his own self loathing loses his grip on reality and is confronted by his childhood demon.