Oases are more than fairytale places in the desert sand. Amidst the stony heights of the Andes, the endless expanse of the Pacific, or the hectic concrete sausages of Mumbai, islands of life flourish. In breathtaking shots, the documentary explores the phenomenon of oases – and the magical places in the Saharan sand are of course included.
Dive into the making of the classic hip-hop record Deltron 3030, with the artists who brought it to life. Featuring Dan the Automator, Del the Funky Homosapien, Kid Koala with appearances by Randall Park, Zane Lowe, and Damian “Domino” Siguenza, you’ll hear a first-person account of creating this one-of-a-kind record. An allegory for the French Revolution? A sci-fi cornucopia of 20th century influences? Or just some talented people with diverse reference points and deep intuition? All of the above? Peep it.
When a young woman is thrilled to finally fulfill her family’s long-time dream of becoming a teacher, a surprising turn of events reveals her own desires.
In this oddball comedy, mobster Tony plans to confront the don about his standing. He psyches himself up in the bathroom, only to be given advice by a shady voice from the stall. Is this guiding voice really looking out for Tony, or will it lead him to his doom?
Monã faces a sensorial and spiritual journey, guided by Exu and by her ancestors, facing her fears, tearing the veils of whiteness and going through a rebirth at the crossroads that molds her identity.
Hold on! The boys are back in town, in their third ever vlog-movie motion picture! They want to horrify us, they want to annoy us, and they want... A place to blast! Now another Disney resort has the same problem, the more they blast, the more it becomes funny. They're making sure blasting never happens in the same way again! Eurobnoxious!
In 1949, Albert Camus landed in Porto Alegre and wrote in a letter a brief impression of the city: “A luz é bonita. A cidade, feia.” What does this observation reveal about the capital in the late 1940s? And what would he have to say about Porto Alegre today? How do the Lumière brothers’ films and the first footage shot in Rio Grande do Sul respond to the philosopher’s view? But, more importantly, how does the city itself respond to this sentence?