The protagonist suffers from paranoia that originates from a past incident. The protagonist confronts a monster in a subway which was the stage of the past incident. The monster appears to be identical to the protagonist. The protagonist struggles to run away from the horrific monster and the strange subway. However, for some reason it seems impossible to escape.
Taking the shape of a deep sea voyage, 'Les Fruits de la Mère' is an experimental animation exploring the challenges regarding climatic changes, the seafood overconsumption and the possible future of the human race in a aquatic environment.
Experimental video, created entirely with the AI system Dalle-2, with numerous variations of an initial generated image of Ophelia, following different paths of variations each time. Sound was created by AI platform Melobytes, turning that same initial image of Ophelia to sound. The final result, based on the randomness and fluidity of the AI generators used, is a surreal animation where a classic theme (Ophelia) meets with weird dreamlike mutations and unexpected futuristic scenes.
In an autumn grove, surrounded by a perennial golden hour, there are seven strange figures: they are the Arts. Painting, Architecture, Music, Dance, Sculpture, Literature and Photography. This last, poor guy, is not well accepted in the group, since he is not considered a real art, and is sadly excluded. But he will be the last piece that, together with all the other Arts, will lead to the birth of a new one: Cinema
Dora and Boots embark on an incredible adventure to the land of alebrijes, the most magical and colorful creatures in the rainforest. There, they must band together against Swiper to save the beloved alebrijes and their Copal Tree Celebration.
Miss Eloise, a melancholic property agent, is assigned to manage the vacation of a countryside apartment room due to the sudden disappearance of its last tenant, a blue collar worker at a neighbouring company. However, her whimsical decision to spend the night in the mysteriously abandoned room—fuelled by her desire to flee from her own soporific reality—slowly spirals into a feverish odyssey.
In a manner akin to Irvine Welsh, this entertaining poery film charts my personal experiences as a young adult on the gay scene in East London in the early 2000s. The poetry speaks honestly and frankly but with a mix of melancholy and humour about my time at the White Swan pub, moving onto Chariots, a gay sauna in Limehouse, East London where I first fisted a man and then my experience of wanting to fist guys in a sauna at HSBC Bank Headquarters where I was working in Canary Wharf in London at the time. I say 'I' but actually the poetry for much of the film is delivered by my fist, who gives the viewer an honest and sometimes no-holes-barred graphic account of what it's like to 'go up inside another man's street' .
While escorting Dr. Eggman and his hapless new helper Trip through a perilous ruin, Fang the Hunter will need to muster all his cunning to overcome past mistakes and escape the coils of a fierce new enemy. Meanwhile, Eggman discovers what may be the key to his next dastardly scheme.
Brilliantly fusing the visual language and kineticism of anime with African themes, traditions, and histories, Jules Kalla Eyango delivers the thrilling tale of a grief-stricken warrior’s most momentous battle.
A complex and sometimes combative exchange at an Iranian broadcaster over a certain Hollywood blockbuster disguises deeper ruptures, in Farnoosh Samadi’s wry and subtly provocative drama.