One morning, a magical rock appears in the backyard of a kindergarten. As soon as the children find it, a magical adventure starts, which can soften even a greedy professor.
Two thieves are reluctant to steal but their evil boss doesn’t want to hear it. So the two clumsy burglars, who would much rather go dancing somewhere, have to break into an abandoned house. Once inside, they stumble across a gramophone and release a bunch of ghosts from it.
On her late-night shift, an oblivious cleaner gets ready to clean and to bust some moves in a lawyer’s office. She cleans up the bad deeds of an intruder that has ravaged the office.
In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.
On a rainy day, a mother and daughter forego a trip to the park to bake pastries and partake in a two-person tea party when an unexpected guest menacingly invites himself into the house and ransacks the food and drink in the house.
The red house dissolves and transforms into all kinds of other things. The house re-assembles, but bigger and wider than before. Quicker than the eye can see, all kinds of brightly coloured shapes appear on the screen. What was a clown a second ago suddenly becomes a wild mix of fantastic images and figures. And right in the middle, the red house keeps turning up.
Some light relief in the form of a snappy dance number! In colourful rotoscoping, in movement sequences drawn frame by frame, the figures whirl across the screen. Students of the TecnoCampus in Mataró near Barcelona created this short film as a joint project. One can see the fun they had in the process in every scene. Let’s just join the dance!
A child is pulled up by the ski lift bar, another time it cannot open the door anymore after going to the toilet and yet another time it is too slow when leaving the bus and drives away without its mother. A short episodic film about fears we suffer from as children and we can smile about as adults.
In Japan, there are many customs, folk tales, and legends unique to each region. This animation is based on a story told by a potter in Nagata-nasa, Mimata-cho, Miyazaki Prefecture, where there are many legends of kappa (water imps), narrated by the potter himself. The artist was kind enough to share some of the ash from the local Mt. Shinmoe volcano, which he also uses as a material for his pottery. This animation was filmed with drawing pictures on a glass table using the volcanic ashes.
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
Life on the CAPS is the final chapter in Meriem Bennani’s film trilogy of the same name, set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean.
The delightful handiwork of directors Benoit Therriault and Pierre-Hugues Dallaire with the team at Montreal’s Rodeo FX, this animation charms viewers with the story of a boy and a bird who find hope and connection in the deepest and darkest of places.