In 1973, the First International Women's Film Seminar, organized by Claudia von Alemann and Heike Sander, took place in Berlin and is considered one of the first feminist women's film festivals ever. Norwegian director Vibeke Løkkeberg was invited with her film ABORT (1971) and traveled with her film team to document this crucial networking event of the feminist media movement. She filmed the plenary discussions and conducted interviews. Due to a lack of funding, the footage was forgotten. Only 50 years later, the material was rediscovered in the Norwegian National Library, and Løkkeberg seized the opportunity. It is a time travel into the second wave of feminism in the 1960s and 1970s. Keywords from the discussions of that time remain relevant today: abortion, sexual education, wage discrimination, and health issues. The result is a fascinating portrait of women determined to make films on their terms
The military in the air and the people on the ground. Two dances. A "panorama" of still photos of the Chilean independence day celebrations in the former Cousiño Park, emblem of the Chilean popular party for more than 150 years . Photographed on September 19, 2024, the infamous "day of the glories of the army". Flicker Film. 35mm B & W Still Photography. Silent.
A young girl from the town of Chillán (Chile) marries her cousin in 1962. In reverse, the moment and its ghosts emerges from oblivion and returns to it. This is a 8mm family film compiled and re-structured by Gabriel Lizama (AKA Liz Taylor)
Nelson Sullivan was a prominent figure in New York's queer community in the 1980s. With a video camera that he rarely let go of, he was also a chronicler of the club scene of the time. The archival documentary draws on the rich video archive Sullivan left behind. It looks at a marginalised subculture and the life of the man sometimes described as the first vlogger.
The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.
Bogancloch is where Jake Williams lives, nestled in a vast highland forest of Scotland. The film portrays his life throughout the seasons, with other people occasionally crossing into his otherwise solitary life. At the heart a song, an argument between life and death, each stating their case to rule over the world. The film is without exposition, it aims at something less recognisable, a different existence of reality observed in discrete moments. A sequel to Two Years at Sea (2011), charting a subtly changing life in a radically changing world.
Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.
Since October 7, 2023, at least 178 journalists have been killed in Gaza. That's more journalists than in both World Wars combined. While the world remains silent, we must raise our voices against injustice. In this poignant new documentary, Robert Greenwald exposes Israel's crimes against journalism and humanity through the lives and deaths of Palestinian journalists Belal Jadallah, Heba al-Abadla, and Ismail al-Ghoul.
Rồi Thứ Hai Sẽ Đến is a documentary film made by the student group Ái Chà (from the High-Quality Journalism K22-1 class, Faculty of Journalism & Communication, University of Social Sciences and Humanities, VNU-HCM). The documentary tells the story of Mr. Thắng - a teacher with no degree and no sign board. For the past 15 years, Mr. Thắng has persistently pursued his dream of bringing literacy closer to children who cannot afford to go to school.
Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)
In celebration of the release of Sparks’ 28th album, ‘MAD!’, Ron and Russell Mael will join actor, presenter and comedian Rob Brydon for an in-person evening that promises to be insightful and illuminating, containing fresh perspectives on a career that has spanned in excess of five decades. “I still have the cassette of Propaganda, a present on my ninth birthday. Since then Sparks have held a very special place in my heart. They are the epitome of creativity and musicality. I am so looking forward to meeting them and having a MAD! discussion.” - Rob Brydon. “As we’ve never had the honor of meeting British Royalty, we are extremely excited to be in discussion with Rob Brydon, MBE and, incidentally, one of the funniest people alive.” - Ron Mael and Russell Mael.
A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.
The forest is cultivated with a saw. At least that’s still what forestry schools teach. But what does a healthy forest actually need? Foresters and hunters see the forest as an agricultural commodity and nature as something that must be constantly regulated and managed. On the other side stand conservationists – advocates of non-intervention, who believe the forest can take care of itself without us. Where does private ownership stand in this conflict? And is a human’s right to use natural resources in their surroundings superior to the bear’s right to do the same? Slovak forests have become a battleground – but also a proxy issue of a social conflict that runs much deeper than it first appears.